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Titlebook: Living as an Author in the Romantic Period; Matthew Sangster Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive li

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發(fā)表于 2025-3-21 18:42:01 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Living as an Author in the Romantic Period
編輯Matthew Sangster
視頻videohttp://file.papertrans.cn/588/587503/587503.mp4
概述Uses previously-underutilised archives to show that during the Romantic period, authorship operated principally as a relatively restricted social system, rather than a profession or mode of artistic p
叢書名稱Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print
圖書封面Titlebook: Living as an Author in the Romantic Period;  Matthew Sangster Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive li
描述.This book explores how authors profited from their writings in the late?eighteenth and early nineteenth centuries, contending that the most tangible?benefits were social, rather than financial or aesthetic. It examines authors’?interactions with publishers; the challenges of literary sociability; the vexed?construction of enduring careers; the factors that prevented most aspiring?writers (particularly the less privileged) from accruing significant rewards; the?rhetorical professionalisation of periodicals; and the manners in which?emerging paradigms and technologies catalysed a belated transformation in?how literary writing was consumed and perceived..
出版日期Book 2021
關鍵詞Authorship; Romanticism; Book history; Bibliographical criticism; Sociability; Systems of esteem
版次1
doihttps://doi.org/10.1007/978-3-030-37047-3
isbn_softcover978-3-030-37049-7
isbn_ebook978-3-030-37047-3Series ISSN 2634-6516 Series E-ISSN 2634-6524
issn_series 2634-6516
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Palgrave Studies in the Enlightenment, Romanticism and Cultures of Printhttp://image.papertrans.cn/l/image/587503.jpg
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Preface: The Life of the Author,f the nineteenth. The vast expansion of the reading public, the availability of cheap print and the post-Romantic ideal of the literary work as high art had combined to make authorship viable as both a relatively respectable profession and a heightened quasi-religious vocation. In contrast to previo
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Introduction: What Was an Author in the Romantic Period?,t opens by asserting that Romantic-period auditors seldom drew sharp distinctions between authors’ opinions and what they wrote, with books and individuals commonly conceived as being interchangeable. It then discusses the queasy status of living by the pen, arguing that the spectre of the hack writ
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