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Titlebook: Literature, Politics and Intellectual Crisis in Britain Today; Clive Bloom Book 2001 Palgrave Macmillan, a division of Macmillan Publisher

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書目名稱Literature, Politics and Intellectual Crisis in Britain Today
編輯Clive Bloom
視頻videohttp://file.papertrans.cn/588/587286/587286.mp4
圖書封面Titlebook: Literature, Politics and Intellectual Crisis in Britain Today;  Clive Bloom Book 2001 Palgrave Macmillan, a division of Macmillan Publisher
描述In 1997, thirty years after the demise of ‘Swinging London‘, Britain again seemed to be the centre of the cultural universe, with a thriving arts scene, a new Labour government and a young and enterprising prime minister. ‘Cool Britannia‘ seemed to sum up the new spirit of the 1990s in the hip language of the 1960s. In this book, Bloom offers a radical and controversial guide to the possibilities for intellectual life, popular culture, literary production and political authority in multi-cultural Britain in 2000 and beyond.
出版日期Book 2001
關(guān)鍵詞culture; English literature; government; Great Britain; politics; time; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9780230508408
isbn_softcover978-0-333-77833-3
isbn_ebook978-0-230-50840-8
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2001
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The Sixties in your Head: An Aborted Experiment?lism and the advancements of technology. It was specifically determined by its struggle with the liberal state and the economics of capital. The struggle between revolutionary avant-gardism and reactionary avant-gardism constitutes the history of the avant-garde in its most dynamic and theoretical form.
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Children of Albion: Dr Leavis amongst the Dongas TribeFrom where does such a critique come and on whose behalf? What is the place of literature in the revolution? Can literature and revolution coincide? What position does the literary take in relation to the masses and popular culture? Can the avant-garde align itself with popular culture – on behalf of the insurrection of the popular?
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Introduction: Resistible Culture a new Labour government and a young and enterprising prime minister. London was again swinging with both a resurgent music scene and a hip new style. Indeed, the sixties (refracted through the rediscovery of the 1970s) seemed as if it might reach its apotheosis in the nineties – a . decade played o
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Eyes on the Prize: Booker and the Orange People; Joan Collins in Court contexts. It concentrated on the contrast between commercial values and cultural values and looked at how they are formed and reformed by professional literary critics. Above all it was about the often difficult negotiation between anti-commercialism and anti-philistinism and the very market forces
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