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Titlebook: Literature and the Renewal of the Public Sphere; Susan VanZanten Gallagher (teaches in the English Book 2000 Palgrave Macmillan, a divisi

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書(shū)目名稱Literature and the Renewal of the Public Sphere
編輯Susan VanZanten Gallagher (teaches in the English
視頻videohttp://file.papertrans.cn/588/587258/587258.mp4
叢書(shū)名稱Cross Currents in Religion and Culture
圖書(shū)封面Titlebook: Literature and the Renewal of the Public Sphere;  Susan VanZanten Gallagher (teaches in the English  Book 2000 Palgrave Macmillan, a divisi
描述This collection examines the ways in which religion and literature are capable of renewing what the eminent German philosopher Jürgen Habermas refers to as ‘the public sphere‘. The essays range from close commentaries on particular texts ( King Lear, The Brothers Karamazov, ‘Bartleby the Scrivener‘) to surveys of the careers of selected writers who have entered the public sphere (Elizabeth Gaskell, W.H. Auden, Raymond Carver, Sherman Alexie), to historical and theoretical examinations of various national and international public spheres.
出版日期Book 2000
關(guān)鍵詞Edward Said; Narrative; poetry
版次1
doihttps://doi.org/10.1057/9780230595514
isbn_ebook978-0-230-59551-4Series ISSN 2947-8448 Series E-ISSN 2947-8456
issn_series 2947-8448
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2000
The information of publication is updating

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Susan Zanten Van Gallagherhe problems of overcriminalization and mass incarceration..·???????? Abuse of power by police and prosecutors..·???????? The injustice of plea bargaining ..·???????? The appropriateness of jury nullification..·978-3-030-67542-4978-3-030-67543-1
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,Constructing Female Public Identity: Gaskell on Bront?,nst society, offering instead a portrait of a woman artist enmeshed in gender-specific constraints and reaping few of the benefits of literary fame. In a literary marketplace dominated by biographies of ‘great men’ and their ‘great works’, Gaskell adapts biographical conventions to a female subject
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Woza South Africa! A Postcolonial Public Sphere,outh Africa, was an acclaimed entry in the 1982 Edinburgh Festival, had a successful London run that fall, and eventually toured Germany and the United States, playing to standing ovations every evening. The play’s dramatic and musical energy, innovative style and forceful anti-apartheid stance prov
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M. D. Walhoutsions within psychology. The extensive ferment that has occurred within so- cial psychology over the past decade, often termed "the crisis in social psychology," must properly be viewed within this context. And, in cases where criticisms of the traditional craft have been initiated on other than phi
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