Titlebook: Politics And Literature In Eastern Europe; Celia Hawkesworth (Senior Lecturer in Serbo-Croat) Book 1992 Palgrave Macmillan, a division of

excrete

schaftlichen Umgang mit Projekten der Informationstechnik noch nicht greifbar sind, so mu? doch — trotz aller Unzul?nglichkeiten — versucht werden, eine Bewertung der juristischen Expertensysteme anhand m?glicher Folgen ihres Einsatzes zu motivieren.

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天真

Literature as Criticism of Ideology in Contemporary Serbian Culture,m. In contrast to Western ideas of alienation, the absurd and the search for essential and enduring existential topics, cosmic anxiety and flight from politics into a self-enclosed world, radical thought in Eastern Europe has bred a subversive style: a literature of defiance and critical non-acceptance of the ruling ideology and Party culture.

瑪瑙

,Milan Kundera’s Wisdom of Uncertainty and Other Categorical Imperatives: The Experience of the Contest not only as one of the world’s foremost novelists but also as a critic of remarkable analytical powers. But more than that, because his voice is among the most authentic in recording the benumbed, stultified anguish of a whole generation of people in East and Central Europe in the years that followed the end of the Second World War.

chastise

,F. D. Knia?nin and the Polish Balloon,motif was used to decorate snuff-boxes and signet-rings.. It gave rise to sundry commercial games and tricks, and fashionable ephemerae such as aerostatic peaches, toy-balloons made of ox-gut, and the ..

Crater

,Recent Prose of Hana Ponická and Ol’ga Feldeková: Dissident Autobiography and Aesopian Fiction,olitical heading of critical realism. One may also expect that genuine gains in developing literary history, for which Marxist analysis was in certain ways more useful for the Slovaks than the positivist historical methods used in pre-war Czechoslovakia, will not be thrown out with the bathwater.

Halfhearted

kidney

Ukrainian Avant-Garde Prose in the 1920s, during these years. Far from being peripheral, as is often suggested, this current was, in fact, quite central both to literary politics and formal-aesthetic developments. Indeed, in the literary wars of the day it had ambitions of hegemony.

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