Titlebook: Literature and Fascination; Sibylle Baumbach Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Fascination.literature.cogniti

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Introduction,Fascination is a modern drug. It can tantalise and torment our imagination. It is at once intimately familiar and deeply mysterious. We recognise fascination instinctively but it defies definition and eludes understanding. As a result, the term elicits an irresistible attraction:

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The Spark of Inspiration: Mesmerism, Electrifying Fiction and Gothic Fascination,The novel in general and the Gothic novel in particular have repeatedly been associated with absorbing, intensely seductive and hence potentially dangerous energies. As Thomas Gisborne writes in his . (1797),

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Book 2015Exploring literary fascination as a key concept of aesthetic attraction, this book illuminates the ways in which literary texts are designed, presented, and received. Detailed case studies include texts by William Shakespeare, S.T. Coleridge, Mary Shelley, Bram Stoker, Oscar Wilde, Joseph Conrad, Don DeLillo, and Ian McEwan.

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https://doi.org/10.1057/9781137538017Fascination; literature; cognitive science; cognitive poetics; reader response; aesthetics; literary theor

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The Anxiety of Influence: Fascination with the Self and the Other,eed be accused of artistic vampirism. . seems particularly tainted by this ‘disease’. The novel was criticised for its pot-pourri of ideas taken from other authors, including Stevenson, Poe, Balzac, Goethe, Radcliffe and Hawthorne. While some critics lamented that ‘there is so little that is origina

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