Titlebook: Literary Networks and Dissenting Print Culture in Romantic-Period Ireland; Jennifer Orr Book 2015 The Editor(s) (if applicable) and The Au

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Jennifer Orrtrol (ILC) is well-recognized as an e?cient method that o?ers signi?cant p- formance improvement for systems that operate in an iterative or repetitive fashion (e. g. , robot arms in manufacturing or batch processes in an industrial setting). Though the fundamentals of ILC design have been well-addr

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Jennifer Orre electromechanical tasks, widespread in industry.Provides aThis monograph studies the design of robust, monotonically-convergent it- ative learning controllers for discrete-time systems. Iterative learning control (ILC) is well-recognized as an e?cient method that o?ers signi?cant p- formance impro

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Jennifer Orrrument of theoretical analysis of mathematical models, and as a basis for various numerical methods. From the formal point of view, linearization procedures can be used to the same extent in regular and irregular cases; the linearization technique only requires that operators of the problems be suff

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,Introduction: Irish Poetic Networks, 1790–1815,1820), and there were few places where Dissenters were more geographically concentrated or socially powerful than in the north of Ireland:.Rutland’s observations on Ulster point to a densely concentrated religious minority whose religious and political non-conformism was making itself conspicuous bu

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Sentiment, Sociability and the Construction of a Poetic Circle,iod were rarely confined to one particular social class or intellectual discipline, particularly at the latter end of what is known as the ‘sentimental era’. In his proposal of the ., the bourgeois public sphere, Jürgen Habermas drew attention to the homosocial fraternal paradigm of sociability, and

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,The Creation of Ulster Labouring-Class Poetry, 1790–3,abouring peers. Such self-confidence accrued from a growing fashion across the ‘long’ eighteenth century for labouring-class poetry, most famously exemplified in Stephen Duck (1705?–56), Ann Yearsley (1753–1806) and Robert Burns, poets who enjoyed unprecedented levels of critical and public interest

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,‘Here no treason lurks’: Post-Union Bardic Regeneration,eat into local quietism during the turbulent period following the Irish Rebellion, but the poet’s clever puns on rebel imagery and final reference to the hedgehog’s apparent retreat to raise up a new generation of pups (‘creep awa the way ye came / And tend your squeakin pups at hame’), endows the h