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Titlebook: Literary Half-Lives; Doris Lessing, Clanc Roberta Rubenstein Book 2014 Roberta Rubenstein 2014 biography.composing.ethics.novel.play.rose.t

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11#
發(fā)表于 2025-3-23 11:33:23 | 只看該作者
12#
發(fā)表于 2025-3-23 14:57:37 | 只看該作者
Roberta RubensteinNeither clinical condition, nor levels of serum lipids in the exposed group showed any deviations suggesting early development of atherosclerosis. In 1969 we again checked the health of both groups. Workers have now been exposed to hazards for more than 13 years on average, with extreme values of 7
13#
發(fā)表于 2025-3-23 20:11:33 | 只看該作者
Introduction Where the Story Begins,al Book Award, were deeply involved in a complex intimate relationship that fundamentally affected both of them and continued to influence their writing, particularly Sigal’s, long after their liaison ended. Creating characters in their imaginative writings that are significantly and at times quite
14#
發(fā)表于 2025-3-24 02:08:49 | 只看該作者
15#
發(fā)表于 2025-3-24 04:40:18 | 只看該作者
Truth Values and Mining Claims,f a fictional persona who, like herself, grew up in southern Africa; was briefly married to a German Marxist with whom she had a son; emigrated to England at the beginning of her writing career; was a single parent; and was a member of the British Communist Party until she left it in disillusionment
16#
發(fā)表于 2025-3-24 07:59:06 | 只看該作者
Plays and Power Plays,pires her creative imagination, an aspect of her personality that remains intact even during her most emotionally disintegrated moments of breakdown. She is inspired to “write a play about Anna and Saul and the tiger” in which “the ‘story’…would be shaped by pain…” (575).
17#
發(fā)表于 2025-3-24 14:15:40 | 只看該作者
18#
發(fā)表于 2025-3-24 15:45:45 | 只看該作者
Life in the Interior Zone,r another nine months) was the breach of trust resulting from Sigal’s philandering and his habitual dissimulations about it—an especially grievous point, in Lessing’s view, because she believed that they had reached a mutual agreement that he would no longer lie to her on that subject.
19#
發(fā)表于 2025-3-24 20:38:12 | 只看該作者
Poetic License and Poetic Justice, 2, 1968). Several weeks later, he added, “Reading ‘GN’ again. I try to read Doris’ book w/the cold eye of an editor. Hard” (July 1, 1968). A few days later, he wrote, “Reading over 1st draft of ‘Ceiling & the Spike.’ .” (July 6, 1968, Sigal’s underscoring). Clearly, Sigal had not yet broken out of
20#
發(fā)表于 2025-3-25 00:23:36 | 只看該作者
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