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Titlebook: Literary Epiphany in the Novel, 1850–1950; Constellations of th Sharon Kim Book 2012 Sharon Kim 2012 America.Martin Heidegger.novel.British

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發(fā)表于 2025-3-21 18:24:00 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Literary Epiphany in the Novel, 1850–1950
副標題Constellations of th
編輯Sharon Kim
視頻videohttp://file.papertrans.cn/588/587105/587105.mp4
圖書封面Titlebook: Literary Epiphany in the Novel, 1850–1950; Constellations of th Sharon Kim Book 2012 Sharon Kim 2012 America.Martin Heidegger.novel.British
描述This book studies literary epiphany as a modality of character in the British and American novel. Epiphany presents a significant alternative to traditional models of linking the eye, the mind, and subject formation, an alternative that consistently attracts the language of spirituality, even in anti-supernatural texts. This book analyzes how these epiphanies become "spiritual" and how both character and narrative shape themselves like constellations around such moments. This study begins with James Joyce, ‘inventor‘ of literary epiphany, and Martin Heidegger, who used the ancient Greek concepts behind ‘epiphaneia‘ to re-define the concept of Being. Kim then offers readings of novels by Susan Warner, George Eliot, Edith Wharton, Virginia Woolf, and William Faulkner, each addressing a different form of epiphany.
出版日期Book 2012
關鍵詞America; Martin Heidegger; novel; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9781137021854
isbn_softcover978-1-349-43771-9
isbn_ebook978-1-137-02185-4
copyrightSharon Kim 2012
The information of publication is updating

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發(fā)表于 2025-3-21 23:43:09 | 只看該作者
Opening the Subject: Joyce and Heidegger on Epiphany,out forging in the smithy of his soul the uncreated conscience of his race. Joyce would later portray epiphany as a youthful fad or infatuation. In the early twentieth century, however, an august, even “ponderous” (Safranski 410), thinker independently developed a parallel theory of epiphany: Martin
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The Dark Flash: Epiphany and Heredity in ,,nd place her in the context of literary naturalism.. Her narrative patterns, tropes, and even titles like “The Descent of Man” or “The Greater Inclination”. come from her reading among the evolutionists—not only Darwin but Spencer, Huxley, Haeckel, and George Romanes, among many others. Near the end
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The Mirror of Mental Ruin in ,,ul person he had ever seen” (16). Sparked at random, these modern epiphanies constantly erupt into the text: Lily’s intuition that Mrs. Ramsay wants her to marry, the sudden attraction of the word “flounder” (49), the exquisite scimitar shape of rooks. The breeziness of Woolf’s style drives an endle
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The Look of the Other in ,,the brushstroke, it is alive. It moves, watches, and hunts, eluding the men who hunt it and make it an object of their games and tall tales. When Isaac McCaslin sees the bear, the bear looks back. It is a wild animal and thus an authentic Other: sentient but not human, conscious but without a human
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Epilogue: Reading Epiphany,textual record of that experience. As Herbert Tucker has quipped, epiphany is the “account of an .” and “the . of an experience” (1208; original italics); it is “something lived through, yet also something written down” (1208). Critics keep returning to this insight because the terms of analysis mus
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plain why despite numerous attempts, technology has struggled to integrate successfully into the education system for over a century; on the other hand, it explores whether this trend will persist in the foreseeable future, questioning if emerging technologies, like virtual reality or Gen-AI will ev
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