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Titlebook: Literary Aesthetics of Trauma; Virginia Woolf and J Reina C. Wiel Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited

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發(fā)表于 2025-3-21 18:18:37 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Literary Aesthetics of Trauma
副標題Virginia Woolf and J
編輯Reina C. Wiel
視頻videohttp://file.papertrans.cn/588/587093/587093.mp4
圖書封面Titlebook: Literary Aesthetics of Trauma; Virginia Woolf and J Reina C. Wiel Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited
描述Literary Aesthetics of Trauma: Virginia Woolf and Jeanette Winterson investigates a fundamental shift, from the 1920s to the present day, in the way that trauma is aesthetically expressed. Modernism‘s emphasis on impersonality and narrative abstraction has been replaced by the contemporary trauma memoir and an ethical imperative to bear witness.
出版日期Book 2014
關鍵詞Virginia Woolf; Jeanette Winterson; Modernism; Literary trauma; aesthetics; Narrative; transformation; Wool
版次1
doihttps://doi.org/10.1057/9781137311016
isbn_softcover978-1-349-45682-6
isbn_ebook978-1-137-31101-6
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2014
The information of publication is updating

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Symbolization, Thinking and Working-Through: British Object Relations Theory,mation (Freud), reparation (Klein), potential space (Winnicott), illusion (Milner) and maternal handling (Bollas). Chapter 4 will, in fact, draw on Christopher Bollas’s essay ‘The Aesthetic Moment and the Search for Transformation’ (1978) to enrich its understanding of modernist formalist aesthetics
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,Woolf’s Embodied Cognitive Aesthetics: ,ould become . (1931). She distinguishes between conventional prose narrative, which is linear and has a ‘marvellous fact-recording power’, and the composite narrative form she deemed vital for the modern era: part prose, part poetry, giving ‘the outline rather than the detail’ (1927a: 435). This clo
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,‘The Story of My Life’: Winterson’s Adoption, Art and Autobiography,r a more positive embracing of, the public’s fascination with her personal life — a fascination that she has arguably almost as much encouraged as contested throughout her writing career. The complaint, expressed in several reviews of other female artists and writers (Winterson, 2002b; 2005b; c; 200
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