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Titlebook: Literarisches Leben im antiken Rom; Sozialgeschichte der Elaine Fantham Book 19981st edition Springer-Verlag Berlin Heidelberg 1998 alte Ge

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發(fā)表于 2025-3-25 05:17:12 | 只看該作者
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發(fā)表于 2025-3-25 09:45:37 | 只看該作者
lts are still of interest for modern astronomy, and the book appeals to a wide readership, including scholars, historians, astronomers, and the general public..978-3-031-48391-2978-3-031-48389-9Series ISSN 2509-310X Series E-ISSN 2509-3118
23#
發(fā)表于 2025-3-25 12:33:32 | 只看該作者
Elaine FanthamFrantz Fanon. This book will interest readers passionate about postcolonial studies, the history of Italian imperialism, Pan-Africanism, print cultures, and Italian postwar culture.?.978-1-137-46584-9Series ISSN 2635-1633 Series E-ISSN 2635-1641
24#
發(fā)表于 2025-3-25 18:46:02 | 只看該作者
Elaine FanthamFrantz Fanon. This book will interest readers passionate about postcolonial studies, the history of Italian imperialism, Pan-Africanism, print cultures, and Italian postwar culture.?.978-1-137-46584-9Series ISSN 2635-1633 Series E-ISSN 2635-1641
25#
發(fā)表于 2025-3-25 22:20:18 | 只看該作者
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發(fā)表于 2025-3-26 00:43:54 | 只看該作者
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發(fā)表于 2025-3-26 06:52:30 | 只看該作者
Elaine Fanthamunacknowledged by their fathers to obtain Italian citizenship also.. This law gave legal force to the practice of assimilating unacknowledged Italo-Eritrean children into the Italian community, which colonial governments had sanctioned in practice since 1917.
28#
發(fā)表于 2025-3-26 08:30:21 | 只看該作者
Elaine Fanthamures in Cyrenaica from 1932 to 1935. The history of the ECC shows that state intervention in Libyan colonization was marked by uncertainties and inexperience and shaped by a consistent lack of funds; yet this period also laid the foundation for later, intensive programs of “demographic colonization.
29#
發(fā)表于 2025-3-26 13:45:57 | 只看該作者
30#
發(fā)表于 2025-3-26 16:58:58 | 只看該作者
Elaine Fanthamhe fundamental character of clarity and structural organicity, of sobriety and simplicity of form, of perfect adherence to function.”. Ultimately, Di Fausto asserts that his projects were a dialectical mediation of imitation and innovation, arguing that a contemporary architecture could be grounded
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