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Binge-Drinking

https://doi.org/10.1007/978-3-031-00860-3Iris Murdoch; Music in fiction; sound effects in fiction; poetics; silence in literature; aesthetics; lite

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978-3-031-00862-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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Listening to Iris Murdoch978-3-031-00860-3Series ISSN 2731-331X Series E-ISSN 2731-3328

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Implicit

Chapter 4: Musical Women and Unmusical Menioned, including Mozart’s . and Beethoven’s . conclusion, I discuss these themes as they arise in others of Murdoch’s novels and in her own experience, and the understatedly potent commentary she makes on gender roles and sexuality throughout her fiction.

cancellous-bone

Chapter 5: ‘Different Voices, Different Discourses’: Voices and Other Human Soundsof Henry’s light footsteps on the stairs, resounding through the family house, embodies his threatening presence in the household. Lastly, in ., along with the importance of how characters sound to each other (what an accent or tone of voice conveys), Edward’s repetitive, mechanical speech both show