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Titlebook: Liminality, Hybridity, and American Women‘s Literature; Thresholds in Women‘ Kristin J. Jacobson,Kristin Allukian,Leslie Alliso Book 2018 T

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21#
發(fā)表于 2025-3-25 05:56:43 | 只看該作者
“Sweet Cement”: Occasioning Bathsheba Bowers’s posedly wrote many texts, only Bowers’s 1709 spiritual autobiography, . survives. Bowers in her writing as in her life refused easy categorization and rejected traditional markers of social and religious status. This essay argues we might attribute Bowers’s endurance to the completeness with which s
22#
發(fā)表于 2025-3-25 09:26:08 | 只看該作者
23#
發(fā)表于 2025-3-25 15:29:37 | 只看該作者
24#
發(fā)表于 2025-3-25 17:15:24 | 只看該作者
“We Cannot Be Indifferent”: Native Americans and the Students of the Bethlehem Boarding SchoolA. Examining the students’ oration of 1793, student records, periodicals, and publishers’ receipts demonstrates that the inclusion of the female students in the 1793 service in the Old Chapel represents an important liminal space of contact between Native Americans and the newly established Republic
25#
發(fā)表于 2025-3-25 21:44:13 | 只看該作者
Resistance and Alternative Histories in Nineteenth-Century Women’s Writingury as a time of immense political and social transition within the United States. As the nation was eager to define its spaces and citizenry, Legleitner contends that works whose characters and genres defied categorization were critically dismissed and often remain overlooked. Legleitner notes that
26#
發(fā)表于 2025-3-26 02:32:44 | 只看該作者
Changing Is Surviving: Transformation as Resistance in the Ojibwe Stories of Jane Johnston Schoolcrang a letter to the editor (her husband, Henry Rowe Schoolcraft), the author argues for Schoolcraft’s adherence to Ojibwe aesthetic traditions. This approach is important because three of the stories above were republished by H. R. Schoolcraft (Indian Agent for the Andrew Jackson administration) in h
27#
發(fā)表于 2025-3-26 05:20:13 | 只看該作者
Inhabiting the Liminal: The Architecture of Single Life in Catharine Maria Sedgwick’s Fictionone can see how Sedgwick’s fictional oeuvre subverts the cultural stigma of “old maid,” but also readers can begin to understand how Sedgwick’s fiction represents a lifelong project of depicting the ways in which unmarried women can be significant citizens in the space of nation. This chapter specif
28#
發(fā)表于 2025-3-26 10:39:36 | 只看該作者
29#
發(fā)表于 2025-3-26 14:33:38 | 只看該作者
30#
發(fā)表于 2025-3-26 19:23:37 | 只看該作者
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