Titlebook: Limbo Reapplied; On Living in Perenni Kristof K.P. Vanhoutte Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 ?i?ek.Dupuy.kri

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路標(biāo)

browbeat

小爭(zhēng)吵

,Modernity: A Limboic Fool’s Paradise,ernity will thus result in being the epoch that is signed, from its very beginning, by perennial crisis. Considering the analogousness of living in perennial crisis and in living in Limbo, living in the modern world is, as such, equal to living in Limbo.

Resign

Condescending

Visual Anteprima,tion entitled ‘Descent into Limbo’. This first encounter with Limbo, it being a walled-in realm (like large parts of today’s world), allows to establish a first clear analogous link with living in perennial crisis.

Fresco

Ordeal

Introduction,nial) crisis is one of them. The religious discourse on Limbo helps, however, in understanding this experience of a lasting crisis. This introducing chapter starts our voyage of re-enchanting the world.

legitimate

Visual Anteprima,hapter starts with a discussion, a sort of visual ‘a(chǎn)ppetizer’, of Andrea di Bonaiuto’s (1367) and Anish Kapoor’s (1992) respective fresco and installation entitled ‘Descent into Limbo’. This first encounter with Limbo, it being a walled-in realm (like large parts of today’s world), allows to establi

MUTED

Limbo, thorough investigation in its genealogy, geography, history (starting from Augustine and ending with Thomas of Aquinas), and poetics demonstrates how a secularized Limbo (with secularized understood properly) could still prove to be very operative in our contemporary world. Maybe the papal demise w