Titlebook: Life Writing in the Posthuman Anthropocene; Ina Batzke,Lea Espinoza Garrido,Linda M. Hess Book 2021 The Editor(s) (if applicable) and The

自愛

hundert Presseklubs in allen wichtigen Beh?rden und Organisationen. Historisch entstanden sie als autonome Interessenvertretung von Reportern gegenüber den Nachrichtenquellen und als kollegialer Versammlungsort. Inzwischen sind sie die Informationsknotenpunkte im Nachrichtenproze? und haben sich vo

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大方不好

賠償

somnambulism

Edges and Extremes in Ecobiography: Amy Liptrot’s osystem and which reflects on how these connections mold a self. It examines how the internal and external extremes in Liptrot’s life and character shape her relationships with the human and non-human world in the Orkneys, where she was raised, and in London, where she spends time as a young woman.

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The Sentience of Sea Squirtsdifferent element, with less knowability. Sea squirts have a cultural history featuring human-centred language; as pest, food and pharmacopeia, they are exploited for human ends. But using underwater life narrative and photography to explore conventions of looking creates different possibilities for

MELD

Humanity, Life Writing, and Deep Time: Postcolonial Contributionsent scales are all entangled. This chapter argues that postcolonial life writing is apt to materialize the bonds of its author’s limited life span to deep time in ways that can contribute to a better understanding of the entanglement between humankind and a grander temporality. Postcolonial life wri

勛章

Helen Macdonald’s , and Critical Posthumanisme-evaluate the concept of “the human.” In examining the novel’s portrayal of the relationship between its human protagonist, Macdonald, and the goshawk Mabel, Monir Gholamzadeh Bazarbash reads Macdonald’s embrace of the relational bonds through the lens of Rosi Braidotti’s neo-materialist philosophy

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