Titlebook: Life Narratives and Youth Culture; Representation, Agen Kate Douglas,Anna Poletti Book 2016 The Editor(s) (if applicable) and The Author(s)

吊胃口

Youth and Revolutionary Romanticism: Young Writers Within and Beyond the Literary Fieldle Bourdieu’s ascribes to “youth” in the struggle over value within the field, we critically situate the context in which individual young writers attempt to claim the status of “author.” Through an analysis of Dave Eggers’ bestselling memoir ., we demonstrate how young writers can explore the power

大范圍流行

War Diaries: Representation, Narration and Mediationhed: whether in their entirety or anthologised (or both). We argue that these texts make an important contribution to understanding and historicising both young people’s life writing and life writing of trauma. We consider what happens to these narratives as they travel through their various mediati

Abutment

自由職業(yè)者

ORE

Impossible Subjects: Addiction and Redemption in Memoirs of Girlhoodrary form of contemporary life writing. Young writers such as Koren Zailckas have made their mark on life writing with stories of addiction and mental illness. Zailckas authorises her narrative by gesturing towards a distinctive youthful voice that builds upon the conventions of contemporary memoir

高貴領(lǐng)導(dǎo)

Jargon

Youth Activism Online: Publics, Practices and Archives recent examples of activist projects that explicitly link utilise youthful subjectivities with political and social change. We consider two young women’s use of the blog to critique the political situation and its impact on the education of young women in their countries: Malala Yousafzai in Pakist

GOAD

Conclusion: Youth, Agency and Self-Representation: What Cultural Work Can Life Writing Do?of young people’s life writing. Despite these challenges, we argue that accounting for young people’s life writing requires that we adopt an interdisciplinary approach that can recognise the complex interplay between young people and the discourse of youth that influence their opportunities for self

OATH

Book 2016iaries, as well as their innovative use of independent and social media. The authors argue that these contributions have been historically silenced, subsumed within other literary genres, culturally marginalised or co-opted for political ends. Furthermore, the book considers how life narrative is an

教義