Titlebook: Letters and Literacy in Hollywood Film; Edward Gallafent Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013 Ame

judicial

劇毒

法律的瑕疵

: Embracing Reading, Denying Writing, at its centre is reflected in the fact that the words of the title could be used to describe any of the three major roles in the film, a young man who reads, an older man who returns to reading, a woman who learns to read. The film is based on a well-received novel by Bernhard Schlink, written in G

商業(yè)上

Gudgeon

陶器

: The New Unreadable America,in which some of Penn’s recurrent interests reappear in related or transformed ways, leaving aside for the moment most matters to do with writing. Once I have laid out its structure in those terms, I will review the film through the perspective of writing and reading, and discuss the ways in which this informs its meanings.

ICLE

Inscription and Erasure in ,t subject of the narrative. I will analyse how these activities, both in their presence and sometimes as crucially in their absence, enable this film to address issues of power, identity, expressiveness, frustration and love.

commonsense

財(cái)政

被告

978-1-349-43781-8Palgrave Macmillan, a division of Macmillan Publishers Limited 2013