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Titlebook: Legacies of the Degraded Image in Violent Digital Media; Stuart Marshall Bender Book 2017 The Editor(s) (if applicable) and The Author(s)

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發(fā)表于 2025-3-21 19:57:08 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Legacies of the Degraded Image in Violent Digital Media
編輯Stuart Marshall Bender
視頻videohttp://file.papertrans.cn/584/583677/583677.mp4
概述Provides a concentrated study of how degraded images are created and circulated in the contemporary media landscape.Illustrates the effect and affect of violent material as it moves through low-resolu
圖書封面Titlebook: Legacies of the Degraded Image in Violent Digital Media;  Stuart Marshall Bender Book 2017 The Editor(s) (if applicable) and The Author(s)
描述This book undertakes a concentrated study of the impact of degraded and low-quality imagery in contemporary cinema and real-world portrayals of violence. Through a series of case studies, the book explores examples of corrupted digital imagery that range from mainstream cinema portrayals of drone warfare and infantry killing, through to real-world recordings of terrorist attacks and executions, as well as perpetrator-created murder videos live-streamed on the internet. Despite post-modernist concerns of cultural inurement during the seminal period of digitalized and virtualized killing in the 1990s, real-world reactions to violent media indicate that our culture is anything but desensitized to these media depictions. Against such a background, this book is a concentrated study of how these images are created and circulated in the contemporary media landscape and how the effect and affect of violent material is impacted by the low-resolution aesthetic..
出版日期Book 2017
關(guān)鍵詞Degraded visual imagery; Low-resolution; Surveillance cinema; Aesthetics of violence; Poor image; Degrade
版次1
doihttps://doi.org/10.1007/978-3-319-64459-2
isbn_softcover978-3-319-87800-3
isbn_ebook978-3-319-64459-2
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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Book 2017ce. Through a series of case studies, the book explores examples of corrupted digital imagery that range from mainstream cinema portrayals of drone warfare and infantry killing, through to real-world recordings of terrorist attacks and executions, as well as perpetrator-created murder videos live-st
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