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Titlebook: Lee‘s Ophthalmic Histopathology; Fiona Roberts,Chee Koon Thum Book 20143rd edition Springer-Verlag London 2014 absolute glaucoma.autopsy e

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發(fā)表于 2025-3-21 16:37:26 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Lee‘s Ophthalmic Histopathology
編輯Fiona Roberts,Chee Koon Thum
視頻videohttp://file.papertrans.cn/584/583645/583645.mp4
概述Specimen-based chapter layout.Extensive colour illustrations.Recent advances explained
圖書封面Titlebook: Lee‘s Ophthalmic Histopathology; Fiona Roberts,Chee Koon Thum Book 20143rd edition Springer-Verlag London 2014 absolute glaucoma.autopsy e
描述.Completely revised and updated, this well-illustrated and practically-oriented text has retained its general layout and style and division into specimen-type based chapters. The visual image remains key to explaining the pathological processes and this is facilitated by full colour photography throughout the text. The book emphasizes pertinent recent advances which augment the morphological study of disease. There is updated information on clinically important aspects, immunohistochemistry,?tumour cytogenetics and molecular biology. .?.Illustrations include macro specimens, microscopic specimens and illustrations of additional techniques - immunohistochemistry, molecular analyses and electron microscopy - to help both the pathologist and ophthalmologist understand the process that a specimen must go through prior to producing a report and how these various techniques help to refine the diagnosis..?.The third edition of .Lee’s Ophthalmic Histopathology. is an invaluable reference source for ophthalmic pathologists, general pathologists and ophthalmologists..
出版日期Book 20143rd edition
關(guān)鍵詞absolute glaucoma; autopsy eye; eye histopathology; intraocular tumour histopathology; ophthalmic histop
版次3
doihttps://doi.org/10.1007/978-1-4471-2476-4
isbn_softcover978-1-4471-7117-1
isbn_ebook978-1-4471-2476-4
copyrightSpringer-Verlag London 2014
The information of publication is updating

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發(fā)表于 2025-3-21 20:27:12 | 只看該作者
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發(fā)表于 2025-3-22 01:43:03 | 只看該作者
Fiona Roberts,Chee Koon Thumy remain underrepresented in senior management and leadership positions. This can be attributed to existing patriarchal beliefs and other socio-cultural barriers that have led to struggles for Indian women to set themselves free from the challenges associated with gender stereotypic roles. Despite t
地板
發(fā)表于 2025-3-22 07:38:19 | 只看該作者
Fiona Roberts,Chee Koon Thumy remain underrepresented in senior management and leadership positions. This can be attributed to existing patriarchal beliefs and other socio-cultural barriers that have led to struggles for Indian women to set themselves free from the challenges associated with gender stereotypic roles. Despite t
5#
發(fā)表于 2025-3-22 09:05:17 | 只看該作者
Fiona Roberts,Chee Koon Thumy remain underrepresented in senior management and leadership positions. This can be attributed to existing patriarchal beliefs and other socio-cultural barriers that have led to struggles for Indian women to set themselves free from the challenges associated with gender stereotypic roles. Despite t
6#
發(fā)表于 2025-3-22 15:53:22 | 只看該作者
7#
發(fā)表于 2025-3-22 20:43:05 | 只看該作者
Fiona Roberts,Chee Koon Thumh-century legacy. Images are selected for their very particularised depictions, either eroticised or exoticised, or both. Contemporary branding renders the book cover images of the pan-Indian woman oft depicted as a lone figure, attractive and sympathetic, but submissive and docile, made to be the f
8#
發(fā)表于 2025-3-22 22:27:59 | 只看該作者
Fiona Roberts,Chee Koon Thumh-century legacy. Images are selected for their very particularised depictions, either eroticised or exoticised, or both. Contemporary branding renders the book cover images of the pan-Indian woman oft depicted as a lone figure, attractive and sympathetic, but submissive and docile, made to be the f
9#
發(fā)表于 2025-3-23 05:20:47 | 只看該作者
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發(fā)表于 2025-3-23 05:48:11 | 只看該作者
Fiona Roberts,Chee Koon Thum to novels like Aravind Adiga’s . (2008) and . (2011) and, to a certain extent, Adiga’s . (2009), Vikram Chandra’s . (2007), Vikas Swarup’s . (2005) and . (2008), Tarun J. Tejpal’s . (2009), Jeet Thayil’s . (2012), and many others, as evidence of this. Crime fiction is hardly unique to India, of cou
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