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Titlebook: Laurence Sterne and the Argument about Design; Mark Loveridge Book 1982 Mark Loveridge 1982 design.fiction.history of literature.literatur

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樓主: 貪吃的人
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發(fā)表于 2025-3-23 10:43:03 | 只看該作者
https://doi.org/10.1007/978-1-349-05600-2design; fiction; history of literature; literature; star
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發(fā)表于 2025-3-23 16:36:34 | 只看該作者
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發(fā)表于 2025-3-23 20:50:10 | 只看該作者
Overview: 978-1-349-05602-6978-1-349-05600-2
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發(fā)表于 2025-3-24 01:42:31 | 只看該作者
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發(fā)表于 2025-3-24 03:31:50 | 只看該作者
Introduction,This study is an enquiry into Laurence Sterne’s uses of the concepts of pattern, design and form. It examines Sterne’s literary applications of these concepts in his two novels, . and ., and seeks to relate this aspect of his art to elements in the general cultural background to the works, as well as to their specifically literary background.
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發(fā)表于 2025-3-24 06:40:21 | 只看該作者
Sterne and the Form of the Novel,Sterne’s novels occupy a curious and quite specific position in English literary history. They were published in a period when prose fiction was entering upon a difficult time.
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發(fā)表于 2025-3-24 11:37:40 | 只看該作者
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發(fā)表于 2025-3-24 18:13:19 | 只看該作者
Sterne and the Scientific Study of Man,Sir Isaac Newton was not a particularly Hobbyhorsical character. He even expressed the opinion that his system of philosophy was not Hobbyhorsical—as for instance in Rule One, from ‘The System of the World’, Book III of the .: ‘We are to admit no more causes of natural things than such as are both true and sufficient to explain their appearances’.
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發(fā)表于 2025-3-24 22:00:45 | 只看該作者
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發(fā)表于 2025-3-25 00:36:22 | 只看該作者
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