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Titlebook: Latino Studies: A 20th Anniversary Reader; Lourdes Torres,Marisa Alicea Book 2024 The Editor(s) (if applicable) and The Author(s), under e

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樓主: 斷頭臺
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發(fā)表于 2025-3-23 13:43:48 | 只看該作者
12#
發(fā)表于 2025-3-23 17:13:55 | 只看該作者
“Wild Tongues Can’t Be Tamed”: Rumor, Racialized Sexuality, and the 1917 Bath Riots in the US-Mexicoction plant. By employing Anzaldúan concepts of “wild tongues” and la facultad as methodological tools for reading state archives, I reveal a counter-discourse to biopolitical subjection in the transmission of rumors among working-class Mexican women.
13#
發(fā)表于 2025-3-23 21:07:45 | 只看該作者
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發(fā)表于 2025-3-24 00:32:42 | 只看該作者
“Better Than White Trash”: Work, Ethic, Latinidad and Whiteness in Rural Arkansashough migrants assert belonging and dignity by framing themselves as “better than White trash,” nonetheless this belonging is predicated on the reproduction of racial and class hierarchy as well as conformity to the structural demands of neoliberal capitalism.
15#
發(fā)表于 2025-3-24 04:51:31 | 只看該作者
The Invisibility of Farmworkers: Implications and Remedieshe food movement, and their erasure from historic tales and promotional materials distributed?in local tourist towns, which only?stress the contributions of some groups. The article underscores the value of outreach, the outstanding work performed by outreach staff, and avenues for increasing the visibility and advocacy on behalf of farmworkers.
16#
發(fā)表于 2025-3-24 07:13:46 | 只看該作者
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發(fā)表于 2025-3-24 13:04:05 | 只看該作者
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發(fā)表于 2025-3-24 15:34:51 | 只看該作者
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發(fā)表于 2025-3-24 22:25:57 | 只看該作者
Jennifer as Selena: Rethinking Latinidad in Media and Popular Cultureeployed to understand the sites in which Latinos from different national groups identify and disidentify with each other. Instead of rejecting Latinidad as an exclusively hegemonic concept that homogenizes Latinos, Latinidad can be reclaimed as a site for exploring and further understanding the affi
20#
發(fā)表于 2025-3-25 01:22:03 | 只看該作者
The Central American Transnational Imaginary: Defining the Transnational Gendered Contours of Centranovel, ., and the autobiographical account, . by Cortez-Davis. Drawing on José Saldivar’s conceptualization of a “transnational imaginary,” I contend that these cultural works contribute to the formation and continuous redefinition of an emergent Central American transnational imaginary. In so doing
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