Titlebook: Latin American Documentary Film in the New Millennium; María Guadalupe Arenillas,Michael J. Lazzara Book 2016 The Editor(s) (if applicable

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Caught Off Guard at the Crossroads of Ideology and Affect: Documentary Films by the Daughters of Reves, social roles, and identities. In their films, male subjects, whose actions make women vulnerable, feature as “perpetrators” within the family scene. Nevertheless, the filmmakers challenge these (inherited) masculine versions of history and mobilize memory as a powerful tool to rewrite tragic experiences and affirm an identity in the present.

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Third Cinema” of the 1960s and 1970s and the more subjective.Nearly two decades into the new millennium, Latin American documentary film is experiencing renewed vibrancy and visibility on the global stage. While elements of the combative, politicized cinema of the 1960s and 1970s remain, the region’

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Book 2016e elements of the combative, politicized cinema of the 1960s and 1970s remain, the region’s production has become increasingly subjective, reflexive, and experimental, though perhaps no less political. At the same time, Latin American filmmakers both respond to and shape global tendencies in the gen

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