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Titlebook: Late Modernist Style in Samuel Beckett and Emmanuel Levinas; Peter Fifield Book 2013 Peter Fifield 2013 Beckett.Levinas.literary ethic.phe

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發(fā)表于 2025-3-21 18:10:02 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Late Modernist Style in Samuel Beckett and Emmanuel Levinas
編輯Peter Fifield
視頻videohttp://file.papertrans.cn/582/581770/581770.mp4
叢書名稱New Interpretations of Beckett in the Twenty-First Century
圖書封面Titlebook: Late Modernist Style in Samuel Beckett and Emmanuel Levinas;  Peter Fifield Book 2013 Peter Fifield 2013 Beckett.Levinas.literary ethic.phe
描述Beckett and Levinas are of central importance to critical debates about literary ethics. Rather than suggest the preservation of literary and ethical value in the wake of the WWII, this book argues that both launched a sustained attack on the principles of literature, weaving narrative, and descriptive doubt through phenomenology, prose, and drama.
出版日期Book 2013
關(guān)鍵詞Beckett; Levinas; literary ethic; phenomenology; prose; drama; English literature; Narrative; Samuel Beckett
版次1
doihttps://doi.org/10.1057/9781137319241
isbn_softcover978-1-349-45145-6
isbn_ebook978-1-137-31924-1Series ISSN 2945-6797 Series E-ISSN 2945-6800
issn_series 2945-6797
copyrightPeter Fifield 2013
The information of publication is updating

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Introduction Beckett and Levinas subject this realm to persistent abstraction, which makes them newly and continually, strange. What appears a familiar human subject is fragmented and “unselfed” by their acts of speech or encounters, so that they sustain a significance altogether more unusual than first appears
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Writing against Art intellectual so often considered a marker of French society. This process of renewal was marked by a number of important interventions by the intellectual community, the most prominent of which was Sartre’s own . (1947). Beckett’s Three Dialogues with Georges Duthuit (1949) and Levinas’s “Reality a
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“why after all not say without further ado what can later be unsaid” (,)of an uncertainty, for the “absolute Other is the discovery no sooner discovered than put in question — truth persecuted. .: this is the very mode according to which the Other can pass among us without becoming an old acquaintance of this world” (. 92, my italics).
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Late Modernist Style in Samuel Beckett and Emmanuel Levinas
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