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Titlebook: Language and Politics in the Sixteenth-Century History Play; Dermot Cavanagh Book 2003 Palgrave Macmillan, a division of Macmillan Publish

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書目名稱Language and Politics in the Sixteenth-Century History Play
編輯Dermot Cavanagh
視頻videohttp://file.papertrans.cn/582/581053/581053.mp4
叢書名稱Early Modern Literature in History
圖書封面Titlebook: Language and Politics in the Sixteenth-Century History Play;  Dermot Cavanagh Book 2003 Palgrave Macmillan, a division of Macmillan Publish
描述Language and Politics in the Sixteenth-Century History Play examines a key preoccupation of historical drama in the period 1538-1600: the threat presented by uncivil language. ‘Unlicensed‘ speech informs the presentation of political debate in Tudor history plays and it is also the subject of their most daring political speculations. By analyzing plays by John Bale, Thomas Norton, Thomas Sackville, and Robert Greene, as well as Shakespeare, this study also argues for a more inclusive approach to the genre.
出版日期Book 2003
關(guān)鍵詞argue; bibliography; drama; edition; genre; history; knowledge; language; nation; play; politics; reform; reform
版次1
doihttps://doi.org/10.1057/9780230005839
isbn_softcover978-1-349-50768-9
isbn_ebook978-0-230-00583-9Series ISSN 2634-5919 Series E-ISSN 2634-5927
issn_series 2634-5919
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2003
The information of publication is updating

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The Language of Counsel in ,,stinct not only in matters of form and content, but also in the historical and political understanding they solicit from their audiences. If . urges its auditors to act ‘in the light of Christian virtue, expressed in the service of a theocratic society’, Norton and Sackville encourage a more ‘classi
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The Language of Treason in ,, the relationship between language and power than the ability to ascribe this term successfully. Treason represents an especially acute example of the claims made by sovereign action over speech: to define treason and to assign it effectively is a fundamental sign of political authority. Yet an effe
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, and the Reformation of the Word,be seen as something like its end. Performed in the closing years of Elizabeth’s reign, it marks Shakespeare’s final engagement with the English medieval past. Moreover, elements within the play reinforce this mood of culmination. The choric speeches that precede and conclude act five are suffused w
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d findings from across the book series to create an interdisThis open access book?is the culmination of many years of research on what happened to the bodies of executed criminals in the past. Focusing on the eighteenth and nineteenth centuries, it looks at the consequences of the 1752 Murder Act. T
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