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Titlebook: Landscape, Association, Empire; Imagining Van Diemen Philip Hutch,Elaine Stratford Book 2023 The Editor(s) (if applicable) and The Author(s

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Frames, Canvases, and Perspectives,ceived and might understand the world. Such ideas were often embedded in larger and widely regarded philosophies that combined aesthetic and political reasoning and focused on how imagination, beauty, sublimity, truth, nature, virtue, and worth could aid the progress of individuals, societies, and n
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Relocation and Return: Lycett and Prout, his sojourns around the colony, during which he produced many sketches and watercolours of landscapes and Aboriginal people that record his encounters with place and displacement. Respectively, too, Lycett’s and Prout’s stories are about their own?relocations (one forced and the other free) and voy
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Making Home Place: Allport and Meredith,nciples pertaining to taste, landscape, and place, including home in its most domestic sense. Their works are distinctive and were and remain important to Vandemonian imaginings because, by making home place, they rounded out a set of imperial agendas in picturesque and romantic depictions and assoc
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Reflections and Horizons,o being a pastoral, picturesque, and morally uplifting life that had been initially designed in the heartlands of empire, Van Diemen’s Land was—and this settled space arguably remains—an unsettled place. Thus, what happened in the past also matters now as all of us grapple with the legacies of imper
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https://doi.org/10.1007/978-981-99-5419-3Colonial imperialism; Intellectual history; Landscape art; Space and place; Geohumanities; Van Diemen’s L
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978-981-99-5421-6The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor
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