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Titlebook: Lady Gaga and the Sociology of Fame; The Rise of a Pop St Mathieu Deflem Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Med

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41#
發(fā)表于 2025-3-28 18:34:23 | 只看該作者
Mathieu Deflemnew situations, such as archaeometry and process control. Furthermore, synchrotron radiation provides high excitation ?ux and even speciation capabilities due to energetically tunable radiation. Because of thes978-3-662-49601-5978-3-540-36722-2
42#
發(fā)表于 2025-3-28 19:28:39 | 只看該作者
43#
發(fā)表于 2025-3-29 01:08:05 | 只看該作者
44#
發(fā)表于 2025-3-29 07:07:43 | 只看該作者
45#
發(fā)表于 2025-3-29 10:07:02 | 只看該作者
46#
發(fā)表于 2025-3-29 11:47:44 | 只看該作者
concept of fame.Provides a history and context for Lady GagThis book investigates the stardom of Lady Gaga within a cultural-sociological framework. Resisting a reductionist perspective of fame as a commodity, Mathieu Deflem offers an empirical examination of the social conditions that informed Lad
47#
發(fā)表于 2025-3-29 16:05:56 | 只看該作者
Popular Culture and the Sociology of Fame, quality of fame is attributed, on the one hand, and the audience who offers the attention on which fame is developed, on the other. Such a constructionist perspective enables a true sociology of fame that is geared at scientific explanation rather than engaging in a normative critique.
48#
發(fā)表于 2025-3-29 23:05:50 | 只看該作者
49#
發(fā)表于 2025-3-30 02:11:27 | 只看該作者
Gaga Media: From Internet to Radio,nt and online. Against the widespread notion that Lady Gaga’s success was primarily driven by the internet, the argument is defended that her popularity and fame have benefited from the way in which a wide variety of media were successfully penetrated.
50#
發(fā)表于 2025-3-30 07:43:09 | 只看該作者
The Audience of Lady Gaga: Beyond the Little Monsters, a part of her spectacle, which has attracted attention from a large and diverse range of audiences displaying variable levels of devotion, indifference, and dislike. This perspective broadens the scope of the publics of Lady Gaga’s fame to fans, non-fans, and anti-fans alike.
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