Titlebook: Lacanian Perspectives on Blade Runner 2049; Calum Neill Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license

過(guò)于平凡

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Blade Runner 2049: A View of Post-Human Capitalism,r theorising of this shift. Where many treatments of the original Blade Runner film focused on the question of the replicants relationship to consciousness, Villenueve’s film opens up a further critically crucial dimension, that of the replicants, and by extension, the worker of the future’s, relati

幻影

擦試不掉

AMITY

Home Bodies: Prosthetic People and Economies of Desire,masculine fantasy via its adoptions of various familiar genre conventions (noir, the western) and an obviously artificial masculine subject who is the sum of his programming. In ways the film lays bare, fantasy is always . and functions as a kind of programming. Not only is it . escape from real lif

執(zhí)拗

Object Oriented Subjectivity: Capitalism and Desire in ,ubjectivity against the background of current anxieties about accelerated automation in production and the rising influence of algorithmic new media, as well as ongoing contradictions between capitalism and the state. With this in mind, this essay asks how the film subjectivizes our relationship to

abysmal

血友病

CUMB

,“Before We Even Know What We Are, We Fear to Lose It”: The Missing Object of the Primal Scene, possibly “born of woman” sets him off in search of his primal scene. The chapter will consider how the different female characters work to frame K’s desire and, more fundamentally, his subjective structure. Arguing that K’s ultimate, and futile, quest is to grasp himself as the object cause of desi

PHON