| 書目名稱 | Labor and Aesthetics in European Contemporary Dance | | 副標(biāo)題 | Dancing Precarity | | 編輯 | Annelies Van Assche | | 視頻video | http://file.papertrans.cn/581/580264/580264.mp4 | | 概述 | Scientifically reports the way the contemporary dance sector in Europe operates.Exposes the contradicting mechanisms related to the project-oriented labour and art market.Engages with precarity as a s | | 圖書封面 |  | | 描述 | .This transdisciplinary study scientifically reports the way the established contemporary dance sector in Europe operates from a micro-perspective. It provides a dance scholarly and sociological interpretation of its mechanisms by coupling qualitative data (interview material, observations, logbooks, and dance performances) to theoretical insights. The book uncovers the sometimes contradicting mechanisms related to the precarious project-oriented labor and art market that determine the working and living conditions of contemporary dance artists in Europe’s dance capitals Brussels and Berlin. In addition, it examines how these working and living conditions affect the work process and outcome.?.From a sociological perspective, the book engages with the relevant contemporary social issue of precarity and this within the much-at-risk professional group of contemporary dance artists. In this regard, the research brings novelty within the subject area, particularly by employinga unique methodological approach. Although the research is initially set up in a specific geographical context and within a specific research population, the book offers insights into issues that affect our neolibe | | 出版日期 | Book 2020 | | 關(guān)鍵詞 | Precarity; Contemporary Dance; Post-Fordism; Artistic Labor; European Dance Scene; Aesthetics | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-40693-6 | | isbn_softcover | 978-3-030-40695-0 | | isbn_ebook | 978-3-030-40693-6 | | copyright | The Editor(s) (if applicable) and The Author(s) 2020 |
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