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Titlebook: Kompendium Praktische Psychiatrie; Hans-Bernd Rothenh?usler,Karl-Ludwig T?schner Textbook 20071st edition Springer-Verlag Vienna 2007 Diag

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樓主: Arthur
51#
發(fā)表于 2025-3-30 12:14:16 | 只看該作者
b––a Dr. Frankenstein, a Jekyll, or a Moreau. One might expect the same in Edward Berdoe’s novel . (1887), which Keir Waddington has recently called a “hybrid Gothic novel” (258). In fact, the narrative does depict familiar images of the sequestered medical man: scientists vivisecting dogs in the in
52#
發(fā)表于 2025-3-30 12:23:42 | 只看該作者
r a dark and bizarre encounter with boundaries which, once transgressed, then have their very existence called into question. . representation of an alienated and angst-ridden urban existence means that it has generally been received as a modernist text but, we shall argue, it is also linked to the
53#
發(fā)表于 2025-3-30 20:00:36 | 只看該作者
Norma Desmond, a once famous actress of the silent screen, and now parody of her previous incarnations, as she lives amongst her memories, delusions, and the remnants of a ghostly Hollywood past. Gillis, attempting to save his car from being repossessed, turns into the driveway of Desmond’s run-dow
54#
發(fā)表于 2025-3-30 20:49:45 | 只看該作者
55#
發(fā)表于 2025-3-31 01:00:43 | 只看該作者
age in October 2022 has been the lack of impact the show has exerted over popular culture. Despite proving a large enough commercial success to have?earned the commission?of a coveted second series, misconceptions over genre conventions attached to director Ryan Murphy’s name led to a mixed receptio
56#
發(fā)表于 2025-3-31 07:53:36 | 只看該作者
57#
發(fā)表于 2025-3-31 09:28:40 | 只看該作者
58#
發(fā)表于 2025-3-31 15:40:39 | 只看該作者
ise from a specific type of deep learning—hence the name—in which sets of algorithms compete in a generative adversarial network or GAN (Goodfellow et al. .. Cambridge, MA: MIT Press, 2014). Deep learning is a form of AI in which sets of algorithms (or neural networks) learn to simulate rules and re
59#
發(fā)表于 2025-3-31 19:07:07 | 只看該作者
s chapter I mean to start from a partial reading of Elisabeth Bronfen’s . (1992), which is relevant in many ways. A great deal of the material on which Bronfen bases her argument is Gothic; indeed, almost all the canonical Gothic texts in the British tradition, and a good many of those in the Europe
60#
發(fā)表于 2025-3-31 21:42:06 | 只看該作者
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