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Titlebook: Knowing, Not-Knowing, and Jouissance; Levels, Symbols, and Raul Moncayo Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Laca

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樓主: ETHOS
21#
發(fā)表于 2025-3-25 05:17:28 | 只看該作者
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發(fā)表于 2025-3-25 08:31:27 | 只看該作者
978-3-030-06769-4The Editor(s) (if applicable) and The Author(s) 2018
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發(fā)表于 2025-3-25 14:27:17 | 只看該作者
Knowing, Not-Knowing, and Jouissance978-3-319-94003-8Series ISSN 2946-4196 Series E-ISSN 2946-420X
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發(fā)表于 2025-3-25 15:52:11 | 只看該作者
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發(fā)表于 2025-3-25 23:14:13 | 只看該作者
Raul Moncayo, functional analysis, probability theory, the theory of differential equations and some others. Furthermore, every mathematical discipline consists of several large sections in which specific problems are investigated and the corresponding technique is developed. For example, in general topology we
26#
發(fā)表于 2025-3-26 02:09:26 | 只看該作者
Raul Moncayo, geometry, functional analysis, probability theory, the theory of differential equations and some others. Furthermore, every mathematical discipline consists of several large sections in which specific problems are investigated and the corresponding technique is developed. For example, in general t
27#
發(fā)表于 2025-3-26 04:47:57 | 只看該作者
The Clear Screen, Perception, and the Nature of Inscription,y suspended, freely floating attention of the analyst, that also represents a state of observation and broad mindfulness or psychical mindedness, as well as a form of jouissance. It also uses Lacan’s graph of desire that contains two signifying chains crossing the vector of desire to constitute desi
28#
發(fā)表于 2025-3-26 10:14:37 | 只看該作者
29#
發(fā)表于 2025-3-26 14:50:43 | 只看該作者
The Grammatical Voice of the Drive,f the drive, for example, Lacan understands not as biological impulse, but as the demands of the subject of the drive mediated by the demand of the Other. Lacan defines the aim of the drive as satisfaction rather than pleasure, and satisfaction is linked to the category of the impossible and the Rea
30#
發(fā)表于 2025-3-26 19:52:50 | 只看該作者
Signs, Objects, Icons (Images), Indexes, Representamen/Representations, Interpretants, and Habit in or constitutes the background of perception. A subject perceives the meaning of an object but thinks the meaning arises from the object because the faculty of Sense, that determines the meaning of the object, is unconscious in a descriptive sense. The concept is embedded in the meaning provided by
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