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Titlebook: King Lear; Ann Thompson Textbook 1988Latest edition Macmillan Publishers Limited 1988 King Lear.metaphor.performance.philosophy

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樓主
發(fā)表于 2025-3-21 16:29:34 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱King Lear
編輯Ann Thompson
視頻videohttp://file.papertrans.cn/544/543093/543093.mp4
叢書名稱Critics Debate
圖書封面Titlebook: King Lear;  Ann Thompson Textbook 1988Latest edition Macmillan Publishers Limited 1988 King Lear.metaphor.performance.philosophy
描述.King Lear. is an enormous work in every sense. Despite the misgivings and often pertinent criticisms of earlier generations of critics, it seems now to be accepted as the greatest monument of our culture: the most revered play by the most revered writer in our language..In this study, Dr. Thompson first analyses the many critical approaches to .King Lear., placing in context the formal, historical, social, philosophical, religious, mico-level and performance-based approaches. In her Appraisal section, she investigates the phenomenon of ‘The Greatness of .King Lear.‘, surveying the wider issues of the status of ‘classic‘ texts and the formation and perpetuation of literary canons. She also discusses arguments by critics who have questioned the high evaluation of .King Lear., and the arguments of contemporary critics whose approaches have the effect of displacing traditional evaluations altogether.
出版日期Textbook 1988Latest edition
關鍵詞King Lear; metaphor; performance; philosophy
版次1
doihttps://doi.org/10.1007/978-1-349-19250-2
copyrightMacmillan Publishers Limited 1988
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 22:03:11 | 只看該作者
Formal, structural and generic approacheslevision soap opera. If we hastily add ‘Jacobean’ to our definition — . is a Jacobean dramatic tragedy — we have acknowledged that it was produced in a very specific time and place but we have set ourselves the task of defining that historical context.
板凳
發(fā)表于 2025-3-22 00:42:28 | 只看該作者
地板
發(fā)表于 2025-3-22 06:33:45 | 只看該作者
Approaches to staging and performances best play’ (1904; excerpted in Kermode, 1969, p. 83), and more recently still Margaret Webster, writing as an experienced actress and director,described it as ‘the least actable’ of the major tragedies (1957, p. 214).
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發(fā)表于 2025-3-22 09:11:46 | 只看該作者
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發(fā)表于 2025-3-22 19:07:48 | 只看該作者
Textbook 1988Latest editions of the status of ‘classic‘ texts and the formation and perpetuation of literary canons. She also discusses arguments by critics who have questioned the high evaluation of .King Lear., and the arguments of contemporary critics whose approaches have the effect of displacing traditional evaluations altogether.
8#
發(fā)表于 2025-3-22 22:27:28 | 只看該作者
ider issues of the status of ‘classic‘ texts and the formation and perpetuation of literary canons. She also discusses arguments by critics who have questioned the high evaluation of .King Lear., and the arguments of contemporary critics whose approaches have the effect of displacing traditional evaluations altogether.
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發(fā)表于 2025-3-23 02:07:27 | 只看該作者
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發(fā)表于 2025-3-23 09:15:51 | 只看該作者
The literary canon and the classic text can also be a term of high praise, applied to a work of literature which is not only in the canon but at the top of the canonical hierarchy, a ‘great’ work perceived as having special value for its culture.
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