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Titlebook: Kinesthetic Spectatorship in the Theatre; Phenomenology, Cogni Stanton B. Garner, Jr. Book 2018 The Editor(s) (if applicable) and The Autho

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發(fā)表于 2025-3-21 19:53:00 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Kinesthetic Spectatorship in the Theatre
副標題Phenomenology, Cogni
編輯Stanton B. Garner, Jr.
視頻videohttp://file.papertrans.cn/544/543044/543044.mp4
概述Bridges the gap between a phenomenologically-grounded perspective on movement and cognitive theatre studies.Adds a useful perspective to recent scholarship on disability, theatre, and performance.Prov
叢書名稱Cognitive Studies in Literature and Performance
圖書封面Titlebook: Kinesthetic Spectatorship in the Theatre; Phenomenology, Cogni Stanton B. Garner, Jr. Book 2018 The Editor(s) (if applicable) and The Autho
描述This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how these movements inhabit us. Individual chapters explore the dynamics of movement and animation, action and intentionality, kinesthetic resonance (or mirroring), language, speech, and empathy. In one of its most important contributions to the study of theatre, performance, and spectatorship, this book foregrounds otherness, divergence, and disability in its account of movement perception. The discussions of this and other issues are accompanied by detailed analysis of theatre, puppetry, and dance performances.
出版日期Book 2018
關鍵詞Sensorimotor; Phenomenology; Embodiment; Cognitive science; Neuroscience; Dance theory; Philosophy of mind
版次1
doihttps://doi.org/10.1007/978-3-319-91794-8
isbn_softcover978-3-030-06300-9
isbn_ebook978-3-319-91794-8Series ISSN 2945-7297 Series E-ISSN 2945-7300
issn_series 2945-7297
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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Kinesthetic Spectatorship in the Theatre978-3-319-91794-8Series ISSN 2945-7297 Series E-ISSN 2945-7300
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Introduction,ip, the book addresses issues of disability and able-bodiedness as these pertain to movement and movement perception. Finally, the introduction advocates the productive collaboration of phenomenology and cognitive science, including recent theories of enaction and embodied cognition.
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Movement, Attention, and Intentionality,hapter concludes with a discussion of contemporary performance attempts to establish a “post-intentional” theatre. Performances analyzed in this chapter include director Ivo van Hove’s production of ., Robert Wilson’s ., and the performative experiments of Stelarc and Cathy Weis.
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Kinesthetic Resonance,tuational, multi-directional, and variable. Performances analyzed in this chapter includes Peter Hall’s film adaptation of Harold Pinter’s . and Deaf West’s revival of the musical ., which included deaf, hearing, and hard-of-hearing performers.
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