Titlebook: Katherine Mansfield and Continental Europe; Connections and Infl Janka Kascakova,Gerri Kimber Book 2015 Palgrave Macmillan, a division of M

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只看該作者 · 發(fā)表于 2025-3-21 22:43:31

‘How can one look the part and not be the part?’: National Identity in Mansfield’s ‘An Indiscreet Jo915), ‘Je ne parle pas fran?ais’ (1918), and ‘Miss Brill’ (1920) that expose a self-conscious manipulation of national stereotypes by their protagonists. Raoul Duquette, the narrator of ‘Je ne parle pas fran?ais’ sees himself as a customs official expecting to be duped by other travellers:

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‘Liaisons continentales’: Katherine Mansfield, S. S. Koteliansky and the Art of Modernist Translatiostand each other around a niblick, her little parable seems to say, what hope is there for peace? How can language taken not as phrase book equivalents but as vivid idiomatic usage not create havoc as it travels across borders, and even continents?

只看該作者 · 發(fā)表于 2025-3-22 21:03:27

‘There is always the other side, always’: Katherine Mansfield’s and Jean Rhys’s Travellers in EuropeLondon garden patch — allowed to look, perhaps, but not to linger’.. Similarly, Jean Rhys was made to feel out of place in Britain. She reports that an actor who was to give a public reading from . said when she met her:

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The Beauchamp Connectionent there were enlivened by the presence of von Arnim who was staying, as she did for several months every year, at her mountain home, the magnificent Chalet Soleil, in a small village just down the mountainside.

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