Titlebook: Kate Chopin, Edith Wharton and Charlotte Perkins Gilman; Studies in Short Fic Janet Beer Book 1997 Janet Beer 1997 coherence.drama.fiction.

親密

,Kate Chopin, Edith Wharton and Charlotte Perkins Gilman: Studies in Short Fiction — An Introduction prolific and innovative short-story writers. All three wrote short stories throughout their professional lives and were also practitioners in other genres; all wrote poetry, for private and public consumption, both Gilman and Wharton wrote novels, criticism, autobiography, essays and cultural criti

中古

,“dah you is, settin’ down, lookin’ jis’ like w’ite folks!” Ethnicity Enacted in Kate Chopin’s Short who are artistically sensitive, gifted and well-educated, some of whom have found their way to America, or, to be more specific, to Louisiana or into the Creole community of St Louis. This elite, featured in stories like ‘Wiser than a God’, published in the ., and ‘With the Violin’, published in th

NOVA

遺產(chǎn)

chondromalacia

Edith Wharton and the Coherence of the Novella: From Initiation to Disillusion, the transition from short story to novel writing. The intermediate length and scope of the novella form allowed her to attain a coherence of design, language and content which is perhaps unparalleled in her other fiction. Wharton was, at this time, mapping out her fictional territory in both themat

千篇一律

Edith Wharton, Literary Ghosts and the Writing of New England,ngland but also the continuities between all the stories here selected, from the earliest, ‘Friends’, published in . in 1900,. to the last, ‘All Souls’, published posthumously in . in 1937. Whilst the short novels, . and ., published in 1911 and 1917 respectively, are Wharton’s best known works of r

漫不經(jīng)心

擴(kuò)張

Fibroid

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