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Titlebook: Kant‘s Radical Subjectivism; Perspectives on the Dennis Schulting Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 reason.ph

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樓主: BID
21#
發(fā)表于 2025-3-25 04:13:58 | 只看該作者
Figurative Synthesis, Spatial Unity and the Possibility of Perceptual Knowledgeor productive imagination accounts for the possibility of perceptual knowledge of spatiotemporal objects. I consider three key points: First, I discuss some systematic issues regarding the precise relation between intellectual and figurative synthesis. I argue that figurative synthesis is in fact in
22#
發(fā)表于 2025-3-25 10:49:29 | 只看該作者
On Hegel’s Critique of Kant’s Subjectivism in the Transcendental Deduction focusing on the criticism that Hegel levelled against Kant’s (supposedly) arbitrary subjectivism about the categories. This relates to the restriction thesis of Kant’s transcendental idealism: categorially governed empirical knowledge only applies to appearances, not to things in themselves, and so
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發(fā)表于 2025-3-25 12:39:02 | 只看該作者
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發(fā)表于 2025-3-25 18:09:00 | 只看該作者
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發(fā)表于 2025-3-25 22:13:23 | 只看該作者
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發(fā)表于 2025-3-26 02:33:22 | 只看該作者
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發(fā)表于 2025-3-26 06:23:17 | 只看該作者
28#
發(fā)表于 2025-3-26 08:41:03 | 只看該作者
comprehensive arguments within the framework of Kant’s radi.In this book, Dennis Schulting presents a staunch defence of Kant’s radical subjectivism about the possibility of knowledge. This defence is mounted by means of a comprehensive analysis of what is arguably the centrepiece of Kant’s .Critiq
29#
發(fā)表于 2025-3-26 14:22:16 | 只看該作者
Book 2017by means of a comprehensive analysis of what is arguably the centrepiece of Kant’s .Critique of Pure Reason., namely, the Transcendental Deduction of the Categories. Radical subjectivism about the possibility of knowledge is to be understood as the thesis that the possibility of knowledge of objects
30#
發(fā)表于 2025-3-26 18:48:33 | 只看該作者
ding. They reveal new knowledge that had only been available to music experts until this point. We propose the features for analyzing and comparing changes in arousal and valence over time and use them to compare selected well-known Ludwig van Beethoven’s Sonatas with several of the most famous song
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