Titlebook: Kredit und Bankrott in der deutschsprachigen Literatur; Maximilian Bergengruen,Jill Bühler,Antonia Eder Book 2020 Der/die Herausgeber bzw.

兵團(tuán)

,Gott als Gl?ubiger. Kredibilit?t und pikarisches Erz?hlen bei Mateo Alemán und Aegidius Albertinus,nnt. Nachdr. d. Ausg. München: Nikolaus Heinrich 1615. Georg Olms: Hildesheim/New York 1975.) deal with problems of credibility. As a confessing sinner the Spanish Guzmán claims to tell the truth about his life, using metaphors of accounting that connect his narrative approach to the debates on fina

Fecundity

,Mangel im überfluss. Kredit und Ruin im Schlaraffenland und in der ?konomie der Frühen Neuzeit,nces to economic phenomena that run counter to the logic of abundance – such as money, salary, or even a credit system. In interpreting an elaborate map of . and its accompanying ?explanation‘, both of which had been very popular around 1700, this article shows that the logic of the early modern cre

異端邪說(shuō)2

Geld oder Leben. Bankrott und Rettung im 18. Jahrhundert und in Kotzebues ,cy has been (unsuccessfully) combated by governments since the early modern era and how this problem appears as an object of literature. Here, too, the issue is that fraudulent bankrupt bankers easily evade punishment (and infamy) and profit from bankruptcy. The victims of such bankrupts, on the oth

anticipate

,Kredit – Glauben – Wahn. Paranoische Formen von Soll und Haben bei Heinrich von Kleist und Robert Wssible reason for this can be found in a strand of philosophical thought on property that finds it to be rooted in primitivistic notions of magic (Jean-Paul Sartre, Marcel Mauss). As Georg Simmel’s?.?shows, these notions even persist in abstract forms of property such as money and, especially, credi

amphibian

,Im Graubereich der Macht. Müller, Tieck und Goethe über Staatskredit und Papiergeld (mit einem Seitafeguarding. While Adam Müller in?.?still assumes in 1816 that the National Bank of England, which had suspended cash payments in 1797, represents a faith in the state, he in 1819 in?.?more strongly emphasizes the difference between monetary credit and reality in faith. Müller’s change of opinion ha

名次后綴

Aus Wilhelms Brieftasche. Dichtung und Kredit in Goethes Roman ,omic organizational forms of credit and indebtedness, liquidation and payback, which are recounted in entangled stories in the late novel . Economic models and metaphors not only shape the plot, the character design and the depicted forms of communication, but also reflect the form of the novel. Thi

內(nèi)向者

Bankrotte in Serie. Ein semantischer Komplex zwischen fiktionaler Gestaltung und faktualer Aushandlf knowledge about the complex of ?credit and bankruptcy‘ in the cultural journals of the late 19. century. In the realm of the fictional as well as in the factual accumulation and confirmation of knowledge always assumes serial form. It is the serial repetition that reinforces the assessment of ?cre

obtuse

Fatten

fibroblast