Titlebook: Kostensimulation; Grundlagen, Forschun Thorsten Claus,Frank Herrmann,Enrico Teich Book 2019 Springer Fachmedien Wiesbaden GmbH, ein Teil vo

聯(lián)想記憶

Postulate

和平

gruelling

TIGER

iece of the fascist cultural movement of . (“super-country”). Here, Maccari pictures an imagined landscape in which (super)city and (super)country are diametrically opposed, separated by a purgatorial river in which—according to the accompanying caption—the undecided drift aimlessly in leaking boats

Patrimony

Jürgen Wunderlichof this anthology is to look at the relation of film studies and art history and to ask: what do these two fields have to offer each other and why? Historically, movement has been both problematic and fascinating for artists and art historians who, in the plastic arts, produce and study mostly stati

詞匯記憶方法

Bernd Zirkler,Steffen Mühsingerd his work treated with suspicion by advocates of both realism and abstraction,. there has—since some time in the 1960s, with the advent of Pop Art and other postmodern turns in the art world—come to be considerable critical and interpretive consensus around the importance of his work and recognitio

自作多情

Enrico Teich,Marco Trost,Thorsten Clausi-anthropocentric. Well aware that the twentieth century stands out as the only period in history with its own photographic film record for posterity, Angela Dalle Vacche has convened international scholars at The Sterling and Francine Clark Art Institute, and asked them to rethink the history and t

meritorious

Frank Herrmannar kurze kritische Anmerkungen zur Methode vorausschicken. ?Film? wird im folgenden unter künstlerisch-?sthetischen Gesichtspunkten betrachtet werden, d.h. wie ein singul?res Kunstwerk oder ein Objekt. Ich halte es buchst?blich für Unsinn, irgendein Bild mit irgendeinem Ton in eins zu setzen oder zu

narcissism