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Titlebook: J. G. Ballard‘s "Crash"; Paul March-Russell Book 2025 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer

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發(fā)表于 2025-3-21 18:50:50 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)J. G. Ballard‘s "Crash"
編輯Paul March-Russell
視頻videohttp://file.papertrans.cn/502/501801/501801.mp4
概述Presents Crash as a case study in the relationship between modernism and SF.Draws upon literature, critical theory, visual arts, and popular media.Highlights topics of concern in the late 1960s includ
叢書(shū)名稱(chēng)Palgrave Science Fiction and Fantasy: A New Canon
圖書(shū)封面Titlebook: J. G. Ballard‘s
描述.J.G. Ballard‘s?.Crash.?(1973) remains a byword for transgression in literature: declared ‘too disgusting for words‘ upon publication. The basis for David Cronenberg‘s equally provocative film,?.Crash.?has been regarded variously as the apotheosis of New Wave science fiction, the ur-source for postmodernism, a transhumanist manifesto, and a pornographic masterpiece in the tradition of Sade and Bataille. This revisionist account, based on previously unexplored archive material, shatters the myths that have accrued around this tantalising work whilst also revealing why it continues to inspire writers, artists, musicians and filmmakers in the 21st century. The book vividly reconstructs how Ballard came to write?.Crash., the cultural landscape in which it was written, the effect of its reception, and the toll it took on its author. New perspectives reveal how?.Crash.?reworks surrealist anthropology, evolutionary theory, and pornographic imagery in order to expose a society addicted to the abuse of power, the silencing of others, and its own environmental destruction. As Ballard later admitted, he ‘must have been mad‘ to write?.Crash...
出版日期Book 2025
關(guān)鍵詞Science Fiction; modernism; New Wave science fiction; cyborgs; New Worlds
版次1
doihttps://doi.org/10.1007/978-3-031-73094-8
isbn_softcover978-3-031-73096-2
isbn_ebook978-3-031-73094-8Series ISSN 2662-8562 Series E-ISSN 2662-8570
issn_series 2662-8562
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Rogue Anthropology: ,, Surrealism and the Independent Group,ived from Mass Observation as an arm of the British Surrealist movement. The chapter demonstrates not only how Ballard uses those devices to explore the post-war experience of suburbia but also how those methods are appropriated by the authoritarian persona of his anti-hero Vaughan.
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發(fā)表于 2025-3-22 15:18:00 | 只看該作者
Body Horrors: Cyborgs, Reptiles and Mongrels,uman and non-human animals. In exploring this connection, the chapter compares . with the evolutionary theories to be found in Ballard’s earlier novel, .. . contrasts three different conceptions of human behaviour, each rooted in evolutionary theory, to be found in the work of Carl Jung, Arthur Koes
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發(fā)表于 2025-3-22 21:08:21 | 只看該作者
Moral Pornography: Sex, Power and Representation,hough politically oblique, the novel queers the dominant first-person narration, explicitly, through the portrayal of same-sex desire, and also implicitly, by drawing attention to the subaltern voices at the margins of the central narration. In this regard, comparisons can also be made with other Ne
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發(fā)表于 2025-3-23 00:54:37 | 只看該作者
Coda: Autogeddon/Anthropocene,s Timothy Morton. The coda focuses on the unconscious Anthropocenic logic to be found in the novel and suggests that, whilst James’s narration embodies a terminal condition, the subaltern voices at its margins represent the endurance of life after the apocalypse.
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發(fā)表于 2025-3-23 02:48:55 | 只看該作者
Book 2025opology, evolutionary theory, and pornographic imagery in order to expose a society addicted to the abuse of power, the silencing of others, and its own environmental destruction. As Ballard later admitted, he ‘must have been mad‘ to write?.Crash...
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發(fā)表于 2025-3-23 06:57:35 | 只看該作者
Paul March-Russellrborundumscheiben usw. bearbeitet werden. Bei dem zweiten Brand, dem Glattbrand, bei einer Temperatur von 1350 °C, sintert der Werkstoff und wird dadurch so hart, da? er danach notfalls nur noch von Carborundum- oder Diamantschleifscheiben angegriffen werden kann. Diese M?glichkeit darf deshalb nich
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