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Titlebook: Judging Appearances; A Phenomenological S Edward Eugene Kleist Book 2000 Springer Science+Business Media Dordrecht 2000 Edmund Husserl.Hann

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書目名稱Judging Appearances
副標題A Phenomenological S
編輯Edward Eugene Kleist
視頻videohttp://file.papertrans.cn/502/501381/501381.mp4
叢書名稱Phaenomenologica
圖書封面Titlebook: Judging Appearances; A Phenomenological S Edward Eugene Kleist Book 2000 Springer Science+Business Media Dordrecht 2000 Edmund Husserl.Hann
描述Kant‘s .Critique of Judgment. accounts for the sharing of acommon world, experienced affectively, by a diverse human plurality.In order to appreciate Kant‘s project, .Judging Appearances.retrieves the connection between appearance and judgment in the.Critique of. .Judgment.. Kleist emphasizes the important butneglected idea of a .sensus communis., which provides theindeterminate criterion for judgments regarding appearance. .JudgingAppearances. examines the themes of appearance and judgment againstthe background of Kant‘s debt to Leibniz and Shaftesbury. Drawing upontreatments by Husserl, Sartre, Ricoeur and Arendt, Kleist delineatesthe proto-phenomenological method through which Kant uncovers the ideaof a .sensus communis.. Kleist shows that taste is a discipline ofopening oneself to appearance, requiring a subject who dwells in acommon world of appearances among a diverse human plurality. Thisvolume will prove valuable for anyone interested in a fresh approachto themes at the heart of Kant‘s aesthetics.
出版日期Book 2000
關(guān)鍵詞Edmund Husserl; Hannah Arendt; Jean-Paul Sartre; Kant; Paul Ricoeur; aesthetics
版次1
doihttps://doi.org/10.1007/978-94-011-3931-1
isbn_softcover978-1-4020-0258-8
isbn_ebook978-94-011-3931-1Series ISSN 0079-1350 Series E-ISSN 2215-0331
issn_series 0079-1350
copyrightSpringer Science+Business Media Dordrecht 2000
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https://doi.org/10.1007/978-94-011-3931-1Edmund Husserl; Hannah Arendt; Jean-Paul Sartre; Kant; Paul Ricoeur; aesthetics
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Introduction: A Phenomenological Approach, Arendt has brought to our attention the pre-platonic sense of . as the viewing of an appearing action or imitation of action such as tragic drama by perspectivally situated spectators. The dramatic ritual would provide a forum for the practice of the spectators’ judgment, a practice echoed in the f
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