Titlebook: Joseph Conrad; A Commemoration Norman Sherry Book 1976 Palgrave Macmillan, a division of Macmillan Publishers Limited 1976 commemoration.fi

kindred

Conrad and Rousseau: Concepts of Man and Society, strongly he felt Rousseau’s influence when writing his own novels does not concern me here. What I am attempting is not a genetic inquiry, but an exploration in the history of certain ideas. Nor is it a comprehensive study of the Conrad—Rousseau relation, which would have required a fuller discussi

Prophylaxis

,Rhetoric and Ideology in Conrad’s ,and the work, ethics and style. He believed that ‘a(chǎn)ll writing worthy of the name is temperamental’;. and while embracing the Flaubertian ideal that a work of fiction, like poetry, ‘should carry its justification in every line’, defined art itself in ethical terms, ‘a(chǎn)s a single-minded attempt to rend

Assignment

慢跑

Narrative Form in Conrad and Lowry, Both worked and reworked their own past, and in each case the transformation had become a matter of personal integrity, of integration, so that the novels and stories, whilst rooted in history, would ‘transform it from particular to general, and appeal to universal emotions by the temperamental han

向下

On Editing Conrad,in a spirit of severe resolution…’. These words, expressing the author’s attitude towards the craft of fiction, provide a motto for all textual scholars editing Conrad texts. Indeed, from his very uniqueness as stylist and as fastidious craftsman stem many of the most challenging problems facing tho

Enervate

Conrad and Pinker, career, this correspondence of over 1200 items touches on virtually every aspect of Conrad’s professional and private life, but is especially compelling in two major areas: first, his day-to-day personal life as he wrote his novels and stories; and, second, the development of the fiction itself, th

Allowance

Conrad and , said they were.. Not only did he provide the stories for all three collaborations, he elicited Conrad’s two memoirs, supplied material for ‘Amy Foster’ and ., backed up Conrad while he was writing ., and even wrote a few pages himself for the last. Especially, as Conrad’s ‘large, blond, phlegmatic’

finite

豐富

certitude