Titlebook: Jonathan Burrows; Towards a Minor Danc Daniela Perazzo Domm Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Jonathan Burrows

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Daniela Perazzo Dommders that meet the criteria for best practice. The two prominent best practice approaches identified following an extensive review of the literature are early intensive behavioral intervention (EIBI) and naturalistic developmental behavioral intervention (NDBIs). The chapter summarizes the extensive

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Daniela Perazzo Dommor practice in these diverse areas.Provides comprehensive co.As the field of behavioral health continues to evolve beyond the confines of traditional outpatient office settings, there is a growing need for providers who are adept at delivering evidence-based services across various specialty environ

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an accurate way of assessing the integrity of the ventricular system prenatally. The normal mean dimension of the lateral ventricular atrium ranges from 6 to 8?mm beginning at 15?weeks through term-gestational age. An atrial dimension >10?mm is above 2.5–4 SD of the mean [1, 2]. Therefore, fetal ve

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Dance and/as Poiesis, Poetry, Poetics,three decades of choreographing, dancing, collaborating, researching, mentoring and writing. Crucially, she proposes that Burrows’ work resists established artistic and social paradigms, reconceptualising individuation and community through process and performance. Introducing the monograph, the cha

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Reduction, Repetition, Returns: The Trouble of Minimalism,o Domm questions the productivity of these categorisations and draws attention to the generative ambiguity of the formalist dance tradition’s engagement with content. Through an analysis of examples of Burrows’ choreographic work, from . (1996) to . (2014), the chapter interrogates how they frustrat

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Rhythm as Friendship: Movement, Music and Matteo,examines how rhythm operates compositionally in specific dance works, with particular attention to duets created and performed with the composer Matteo Fargion between 2002 and 2014. Perazzo Domm investigates how rhythm informs the ways in which partnership is articulated in their collaborative prac

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Choreographies of Plurality: Rethinking Collaboration and Collectivity,of thinking/practising with and through notions of community. The chapter analyses the . online series, with film-maker Hugo Glendinning (2016), alongside the collaborative projects . (2017) and . (2018). Engaging with Roberto Esposito’s theorisation of the alterity and plurality of community, Peraz