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Titlebook: John Ruskin, the Pre-Raphaelites, and Religious Imagination; Sacre Conversazioni Sheona Beaumont,Madeleine Emerald Thiele Book 2023 The Edi

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發(fā)表于 2025-3-21 18:39:37 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱John Ruskin, the Pre-Raphaelites, and Religious Imagination
副標(biāo)題Sacre Conversazioni
編輯Sheona Beaumont,Madeleine Emerald Thiele
視頻videohttp://file.papertrans.cn/502/501118/501118.mp4
概述Satisfies a growing desire for reclaiming Ruskin.Provides new and theological insights for those with an interest in the religious imagination.Written for readers across art history, English literatur
圖書封面Titlebook: John Ruskin, the Pre-Raphaelites, and Religious Imagination; Sacre Conversazioni Sheona Beaumont,Madeleine Emerald Thiele Book 2023 The Edi
描述.This volume presents a collection of essays by leading experts which examine nineteenth century ideas about Christian theology, art, architecture, restoration, and curatorial practice. The volume unveils the importance of John Ruskin’s writing for today’s audience, and allies it with the dynamism of the Pre-Raphaelite religious imagination. Ruskin’s drawings and daguerreotypes, as well as Pre-Raphaelite paintings, stained glass, and engravings, are shown to be alive with visual theology: artists such as Dante Gabriel Rossetti, John Everett Millais, Edward Burne-Jones, and Evelyn de Morgan illuminate aspects of faith and aesthetics...The interdisciplinary nature of this volume encourages reflection upon praise, truth, and beauty. The aesthetic conversations between Ruskin and the Pre-Raphaelites themselves become a form of ‘sacra conversazione’..
出版日期Book 2023
關(guān)鍵詞Religious aesthetics; Art history; Nineteenth century; Ruskin; Oxford movement; Tractarianism; Hermeneutic
版次1
doihttps://doi.org/10.1007/978-3-031-21554-4
isbn_softcover978-3-031-21556-8
isbn_ebook978-3-031-21554-4
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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發(fā)表于 2025-3-21 21:34:58 | 只看該作者
Earth and Heaven: Ruskin on Dirt, Work, and Beautywith critical and philosophical writings by Ruskin, and twenty-first century critical readings of Ruskin and his contemporaries. She argues that the radical value for dirtiness, so contrary to the Victorian ideal of cleanliness, becomes for Ruskin an insistence on the transforming power of God at work in His creation.
板凳
發(fā)表于 2025-3-22 02:52:23 | 只看該作者
‘Those Are Leaves’: Ruskin’s Analogical Imagination and the Pre-Raphaelite Theology of Natureeen natural forms demonstrate the interdependence and reciprocity of Hooker’s vision of the created order. Ruskin’s appreciation of Pre-Raphaelite leaf-painting is attributed to his engagement with analogy, which, Milbank argues, also lies behind his criticism of their work.
地板
發(fā)表于 2025-3-22 06:41:30 | 只看該作者
Art on Sundays: Henrietta Barnett and the Whitechapel Fine Art Loan Exhibitions It was an ideal that art could proffer a solution to the problem of poverty in the metropolis in the 1880s and 1890s, with implications for the nation; and it was a practice that rested on the object lessons in (and of) pictures, with consequences for the Church of England.
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發(fā)表于 2025-3-22 15:20:57 | 只看該作者
Book 2023storation, and curatorial practice. The volume unveils the importance of John Ruskin’s writing for today’s audience, and allies it with the dynamism of the Pre-Raphaelite religious imagination. Ruskin’s drawings and daguerreotypes, as well as Pre-Raphaelite paintings, stained glass, and engravings,
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發(fā)表于 2025-3-22 20:19:14 | 只看該作者
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發(fā)表于 2025-3-22 23:12:01 | 只看該作者
Ruskin’s Venice: Embracing Sacred Fragments of Imperfect Beautyrchitectural preservation, as opposed to restoration. His mission, then, was to ensure the stones of Venice were understood as beautifully imperfect, and to do so by illuminating the . between the past and the present.
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