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Titlebook: John Dryden; A Literary Life Paul Hammond Book 1991 Palgrave Macmillan, a division of Macmillan Publishers Limited 1991 bibliography.drama.

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發(fā)表于 2025-3-21 19:14:37 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱John Dryden
副標(biāo)題A Literary Life
編輯Paul Hammond
視頻videohttp://file.papertrans.cn/502/501075/501075.mp4
叢書名稱Literary Lives
圖書封面Titlebook: John Dryden; A Literary Life Paul Hammond Book 1991 Palgrave Macmillan, a division of Macmillan Publishers Limited 1991 bibliography.drama.
描述John Dryden was England‘s most outstanding and controversial writer for the last four decades of the seventeenth century. He dominated the literary world as a satirist, a skilled and versatile dramatist, a pioneer of literary criticism, a writer of religious poetry, and an eloquent translator from the great classical poets. The present book discusses Dryden‘s career both chronologically and thematically, taking issue with his enemies‘ denigration of his integrity, and revealing him as a subtle, passionate and sceptical writer.
出版日期Book 1991
關(guān)鍵詞bibliography; drama; dramatist; England; event; literary criticism; poetry; present; prologue; seventeenth ce
版次1
doihttps://doi.org/10.1057/9780230378629
isbn_ebook978-0-230-37862-9Series ISSN 2946-2037 Series E-ISSN 2946-2045
issn_series 2946-2037
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1991
The information of publication is updating

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,The New Writer 1660–7,o have to depend upon such a source, Shadwell’s . (1682) provides some necessary clues:.Shadwell’s footnotes identify the bookseller as ‘.. Herringman, .’, and the knight as ‘. R.H. ..’ It is indeed possible that Dryden wrote several prefaces to books which Herringman published, though this can hard
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,The Religious Writer 1665–87,nents, but in the case of Dryden it may also have reflected the interest in varieties of religious belief which he had shown as a dramatist. The changes in Dryden’s own religious views and ecclesiastical allegiance, particularly his conversion to Rome, also prompted charges that he was merely an irr
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,The Translator 1680–1700,eing represented, translating individuals and causes into unexpected shapes. His literary criticism brings together writers across different times and cultures, considering one in terms of another, working out the relative characteristics of particular authors, languages and societies by a process o
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Epilogue,im in daily social life. Shadwell’s . (quoted in chapter 5) asserts that Dryden’s social embarrassment led him to produce crude obscenity which he mistook for wit. Whether true or not, such an appropriation of Dryden’s voice and representation of his intimate discourse with friends is an instance of
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