Titlebook: Jimi Hendrix and the Cultural Politics of Popular Music; Aaron Lefkovitz Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Ji

syring

cogent

Congregate

失望未來

Jimi Hendrix and the Cultural Politics of Popular Music978-3-319-77013-0

間接

,Jimi Hendrix—Gypsy Eyes, Voodoo Child, and Countercultural Symbol, this chapter notes ways Hendrix, living during the tumultuous 1960s countercultural era of upheaval, occupies a singular place in the histories of popular music. Highlighting Hendrix’s early years in Seattle and ascent to becoming one of rock music’s pre-eminent musicians, this chapter highlights H

Fretful

,“I Don’t Want to Be a Clown Anymore”: Jimi Hendrix as Racialized Freak and Black-Transnational Icond popular music, and multiple popular music histories. It highlights Hendrix’s place in a legacy of Hollywood racial, gender, and sexual caricatures and ways that, as the Civil Rights Movement gained steam, such African-American artists as Hendrix grew more politically aware as their music resonated

compel

,Jimi Hendrix and Black-Transnational Popular Music’s Global Gender and Sexualized Histories,r sexually interstitial, global gender and sexual symbol. It argues that Hendrix enters a tradition of queer black-transnational representations through his unconventional and “freakish” image and performative disposition. This chapter centers Hendrix’s global gender and sexual visual-cultural depic

ITCH

Cubicle

Conclusion,t notes ways Hendrix has been one of the most influential popular musical pioneers of the last half-century. The conclusion highlights ways Hendrix is remembered for his racialized, “freakish” spectacles, even as he embodied and performed an assertive and fearless stance against white supremacy and

laparoscopy