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Titlebook: Japanese Horror and the Transnational Cinema of Sensations; Steven T. Brown Book 2018 The Editor(s) (if applicable) and The Author(s) 2018

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發(fā)表于 2025-3-21 20:08:14 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Japanese Horror and the Transnational Cinema of Sensations
編輯Steven T. Brown
視頻videohttp://file.papertrans.cn/501/500552/500552.mp4
概述Offers transnational analysis of selected J-horror films from new angles that shed light on previously ignored aspects of the genre.Provides insightful analysis of the formal aspects of Japanese horro
叢書名稱East Asian Popular Culture
圖書封面Titlebook: Japanese Horror and the Transnational Cinema of Sensations;  Steven T. Brown Book 2018 The Editor(s) (if applicable) and The Author(s) 2018
描述.Japanese Horror and the Transnational Cinema of Sensations .undertakes a critical reassessment of Japanese horror cinema by?attending to its intermediality and transnational hybridity in relation to world horror?cinema. Neither a conventional film history nor a thematic survey of?Japanese horror cinema, this study offers a transnational analysis of?selected films from new angles that shed light on previously ignored aspects of the?genre, including sound design, framing techniques, and lighting,?as well as the?slow attack and long release times of J-horror’s slow-burn style,?which have?contributed significantly to the development of its dread-filled cinema of sensations..
出版日期Book 2018
關(guān)鍵詞Japanese Horror Cinema; Resonance and Japanese Horror; Transnational Cinema; Film Theory and Global Cin
版次1
doihttps://doi.org/10.1007/978-3-319-70629-0
isbn_softcover978-3-319-88969-6
isbn_ebook978-3-319-70629-0Series ISSN 2634-5935 Series E-ISSN 2634-5943
issn_series 2634-5935
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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Steven T. BrownOffers transnational analysis of selected J-horror films from new angles that shed light on previously ignored aspects of the genre.Provides insightful analysis of the formal aspects of Japanese horro
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發(fā)表于 2025-3-22 10:45:01 | 只看該作者
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In the Wake of Artaud: Cinema of Cruelty in , and ,,Takashi, 1999) and the Korean horror . (.; dir. Park Chan-wook, 2003)—each of which offers engagements with graphic violence but situates that violence in a way that eludes the conceptual restrictions of “torture porn” and “Asia Extreme.”
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發(fā)表于 2025-3-23 03:54:20 | 只看該作者
Introduction,logical groundwork for investigating J-horror’s aesthetics of “resonance” and the audiovisual techniques by which Japanese horror develops a cinema of sensations that fills viewers with atmospherically enhanced dread.
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發(fā)表于 2025-3-23 06:14:38 | 只看該作者
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