Titlebook: Japanese Cinema Between Frames; Laura Lee Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Cinematic Interval.Film Technolog

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Laura Leeence fiction as a vehicle for exploring actual science and as a springboard for discussing some of the exciting topics that are currently being researched. Our examples will be drawn primarily from film and television, with occasional reference to some of the classic works of science fiction literat

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Laura Leector”, is a Time Lord, who travels through space and time in a sentient device called the TARDIS (Time And Relative Dimension In Space). From the outside, the TARDIS looks like a 1950s British police box (Fig. 2.1). Painted blue and slightly larger than the classic red telephone booths, which can st

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ctor”, is a Time Lord, who travels through space and time in a sentient device called the TARDIS (Time And Relative Dimension In Space). From the outside, the TARDIS looks like a 1950s British police box (Fig. 2.1). Painted blue and slightly larger than the classic red telephone booths, which can st

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Animating the Image: Patch Work and Video Interactivity,0s: by mobilizing the aesthetics of popular media to generate a low-budget, sensorial style, . confirmed the viability, both domestically and internationally, of a visceral film practice that privileged sensation over narrative.

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Film in the Composite Image: Cinema at the Digital Turn,etween discrete media forms. The chapter explores how this arrangement stages the cinematic apparatus at a remove, so as to reawaken a sensuous attachment to cinema at the very instant it was ceasing to be a film-based medium.