Titlebook: Japan and the Cosmopolitan Gothic; Specters of Modernit Michael J. Blouin Book 2013 Michael J. Blouin 2013 Winnifred Eaton.transnational.Go

整理

accrete

Nuclear Criticism and a Deferred Reading of the Toho Terror,of the nuclear event. Their goal was likewise clearly articulated in the introduction of the resultant book, . (2006), as a desire to position the big green signifier “within a matrix of meaning-laden cultural references and political valences” (Tsutsui and Ito 2006, 5). Although Nuclear Criticism a

Inscrutable

Halfhearted

Atemporality and Communal Ethics in the Films of Shimizu Takashi,entic origin at the heart of the haunting—and thus, restore a sense of linearity.. These alterations continue to provoke a shared cultural anxiety that, repressed beneath the rigid markings of cinematic time, there resides a gaping lacuna.

內(nèi)閣

Conclusion,ters he trots out before them. The initial scare occurs when a giant bear stumbles through an abandoned hallway; here (and elsewhere) . exposes the Cold War hang-over of delusions that occupy American depictions of Eastern Europe. Viewers jump at the appearance of the bear only to sigh in relief at

斷斷續(xù)續(xù)

Introduction,Of the countless books concerning US-Japan cultural relations, no work treats this subject at length—which I found disconcerting as the phenomenon remains as prevalent as any other. There are fascinating adaptations of Japanese superstitions from the late nineteenth century, monstrous visions of a p

背信

Ghosts and Spirits in Early Japanology, utilize the trendy formulation of an imaginary Japan to contemplate unseen forces in a modernizing world. Ernest Fenollosa, a professor from Salem who taught philosophy at Tokyo University, spent the bulk of his career documenting these curios to reveal the energy behind world “progress.” Lafcadio

BUMP

,Ghostly Maidens in Sidney McCall’s Fiction,, Fenollosa and Hearn advocated distinct approaches to the archipelago: Fenollosa often calls for a synthesis of the East/West dialectic by way of a universal Spirit, while Hearn frequently employs Ghosts to re-affirm the mystique of the Far East and remind Americans of their humble origins.. Their

時代

Japonisme and the Female Gothic,. Shifts in cultural perception were not mutually exclusive; in particular, writers regularly constituted Japan as an imaginary space through gendered terms. This constructed locale, furnished with consumer products ranging from home décor to popular fiction, served as a canvas for multiple female a

CHANT