Titlebook: Jane Austen and Vampires; Love, Sex and Immort Eric Parisot Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive lice

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Book 2024 Stephenie Meyer’s .Twilight. (2005) and Seth Grahame-Smith’s .Pride and Prejudice and Zombies. (2009). It asks how the shifting cultural values of Austen and the vampire have aligned, and what their connection might mean for their respective contemporary legacies. It also makes a case for reading “

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Introduction: Reading Austen-Vampire Mashups, It also makes a case for reading so-called low-brow Austen fan fiction attentively, as literary texts, as a way to learn what Austen might now signify directly from her fans, and to gain meaningful insight into her changing contemporary relevance to love, sex, romance and womanhood.

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,To Kiss or Kill? Austen’s Vampire-Slaying Heroines,hoices through the paradigm of slaying as a form of physically expressed female empowerment rehearses what feminist critic Angela McRobbie calls “double entanglement,” the postfeminist coexistence of neo-conservative values with processes of female liberalisation.

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Eric ParisotConsiders Jane Austen’s relation to the Gothic.Analyzes the emergence of the new vampire facilitating this literary convergence.Studies Austen fan fiction

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Palgrave Gothichttp://image.papertrans.cn/j/image/500425.jpg

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https://doi.org/10.1007/978-3-031-49286-0Gothic Fiction; vampire fiction; Jane Austen; Regency romance; fan fiction; Dracula