Titlebook: Jane Austen and Performance; Marina Cano Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Afterlives.Novel.Women‘s writing.A

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冒煙

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Jane and Fans,m. By tracing their reading and writing practices, preferences and involvement in the Austen community, this chapter explores the ways old texts and modern fan fiction wield the efficacious power to heal mental and physical disorders, create communality, encourage marital bliss and even help master the art of writing.

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Desert

Jane Austen and the Theatre of War,, E. Barrington and others are read alongside the early twentieth-century proliferation of war memorials to argue that the print afterlives are central to the 1910s–1920s reconstruction of Austen as a monument of national identity.

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Early Re-Enactments,. At the same time, the constant fragmentation of her texts (through brief sketches and isolated scenes) suggests the ultimate futility of the struggle to reconstruct an old form of national identity.

安慰

Jane Austen Abroad, on the radio and on screen) and contends that Austen helped create a sense of collective identity in America’s early heterogeneous society. Original, primary research conducted at the Scottish Theatre Archive (Glasgow) is discussed and photos of Scottish performances are reproduced.

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Epilogue,ther”. Other spectators are less savvy: the two middle-aged couples I met in the queue did not know what awaited them inside. Austentatious has sold out which, one technician informs me, is a regular occurrence despite their lunchtime slot.

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https://doi.org/10.1007/978-3-319-43988-4Afterlives; Novel; Women‘s writing; Adaptation; Film; Theatre; British and Irish Literature