Titlebook: James Joyce and the Revolution of the Word; Colin MacCabe Book 1979 Palgrave Macmillan, a division of Macmillan Publishers Limited 1979 bi

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Gudgeon

2947-0188 t, challenging book, which no Joycean can afford to ignore.‘‘ David Lodge ‘... (this is) the most exciting and original book on Joyce to have appeared for many years ...‘ Terry Eagleton, New Statesman978-1-349-07044-2Series ISSN 2947-0188 Series E-ISSN 2947-0196

dagger

Book 1979‘... (MacCabe is) the most lucid, least blinkered expounder of the post-structuralist mysteries I have ever come across. This is an important, challenging book, which no Joycean can afford to ignore.‘‘ David Lodge ‘... (this is) the most exciting and original book on Joyce to have appeared for many years ...‘ Terry Eagleton, New Statesman

向前變橢圓

https://doi.org/10.1007/978-1-349-07044-2bibliography; discourse; linguistics; politics; revolution; rhetoric; William James

饒舌的人

A Radical Separation of the Elements: The Distanciation of the Reader in ,In the programme notes to ., Brecht defines epic theatre as involving a radical separation of its elements and distinguishes three such elements in opera: the music, the text and the setting. He states his opposition to any integration of elements as follows:

lethal

Palgrave Macmillan, a division of Macmillan Publishers Limited 1979

法律的瑕疵

誹謗

A Political Reading of , something, it is that something itself’ (Beckett 1929, p. 14), he points not to an empty formalism but to an encounter with those constitutive processes that render us sexed and civil subjects. Joyce’s writing concentrates on the relations of language, desire and power; of discourse, sexuality and politics.

暫時(shí)中止

Uncultured

The End of a Meta-Language: From George Eliot to ,e (accomplished through the use of inverted commas) and thus being able to identify both the object-language and its area of application.. It is from the position of the meta-language that correspondence between word and world can be established.