Titlebook: James Hogg and British Romanticism; A Kaleidoscopic Art Meiko O’Halloran Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Jam

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令人悲傷

,Hogg’s Self-Positioning in , and the Literary Marketplace,agement with the prevailing literary conflicts of his day through his use of the two key models of genre-mixing — the miscellany and the anthology. Using the ‘high’ culture of anthologising which would become central to the construction of a canonical British literary history, and ‘low’ literary for

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等待

,By Accident and Design: Burns, Shakespeare and Hogg’s Kaleidoscopic Techniques, from the Theatre aned forward the kaleidoscopic impulses of . through his use of competing voices and rival personalities, his transformation of literary precedents, and the many self-portraits with which he tried to write himself into the literary marketplace. His writings became increasingly unpredictable in their t

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Imploding the Nation: Aesthetic Conflict in ,,nt. In Part I, I situate . in the uneasy cultural climate of the mid-1830s and examine Hogg’s conception of the work as part of a literary culture of recollection, before considering the significance of the famous military strategist and turncoat, James Graham, fifth Earl and first Marquis of Montro